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Episode 259 – The Long Goodbye (1973)
Manage episode 377269207 series 2403133
And we’re back, walking the dark street with our series “Walk the Dark Street.” Works out rather nicely, doesn’t it? This week our subject is a 70’s take on that classic Raymond Chandler character Phillip Marlowe in Robert Altman’s film version of “The Long Goodbye.” This one’s a little different folks; for one thing, it’s in color, which is an issue in and of itself (see the poll question below). For another, the hard-bitten, hard-drinking, razor sharp detective, so ably portrayed before by Humphrey Bogart, is now played by . . . Elliott Gould? Sure, that tracks. Natural progression, going from Bogey to Gould to Robert Mitchum (1975, “Farewell My Lovely”). I mean . . . at least they’re in correct alphabetical order? So this one is a poser, most dear and impeccably dressed listeners: can a noir film work with such an odd choice for Marlowe, and in color no less? Do please consider: this movie does have a cat in it, and it’s kind of surprising who plays the feline part. And a future governor of California makes an uncredited, non-speaking appearance, so we’re in for some interesting weather. Give a listen and see what we thought!
Poll question: do you think film noir works better with black-and-white movies or does color not make a difference?
![](https://maxmikemovies.com/wp-content/uploads/2023/09/longgoodbye.jpg)
300 odcinków
Manage episode 377269207 series 2403133
And we’re back, walking the dark street with our series “Walk the Dark Street.” Works out rather nicely, doesn’t it? This week our subject is a 70’s take on that classic Raymond Chandler character Phillip Marlowe in Robert Altman’s film version of “The Long Goodbye.” This one’s a little different folks; for one thing, it’s in color, which is an issue in and of itself (see the poll question below). For another, the hard-bitten, hard-drinking, razor sharp detective, so ably portrayed before by Humphrey Bogart, is now played by . . . Elliott Gould? Sure, that tracks. Natural progression, going from Bogey to Gould to Robert Mitchum (1975, “Farewell My Lovely”). I mean . . . at least they’re in correct alphabetical order? So this one is a poser, most dear and impeccably dressed listeners: can a noir film work with such an odd choice for Marlowe, and in color no less? Do please consider: this movie does have a cat in it, and it’s kind of surprising who plays the feline part. And a future governor of California makes an uncredited, non-speaking appearance, so we’re in for some interesting weather. Give a listen and see what we thought!
Poll question: do you think film noir works better with black-and-white movies or does color not make a difference?
![](https://maxmikemovies.com/wp-content/uploads/2023/09/longgoodbye.jpg)
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