In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez Max, Mike; Movies and Mike; Movies. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Max, Mike; Movies and Mike; Movies lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Episode 282 – Brokeback Mountain (2005)
Manage episode 407534494 series 2403133
Treść dostarczona przez Max, Mike; Movies and Mike; Movies. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Max, Mike; Movies and Mike; Movies lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
We’ve got us a brand-new series! How often does that happen? Well, pretty often, but that’s part of the magic! This week, we’re kicking off our series “Didn’t Win. Didn’t Win. Didn’t Win” where we discuss movies that seemed like a lock for the Best Picture Oscar but instead were cruelly and viciously stomped upon by some other film that took their statue, stole their lunch money, and made fun of them at recess. That’s how the Academy works; don’t dispute me! Our first nominee is 2005’s “Brokeback Mountain,” a beautiful and heartbreaking story of love, social expectations, toxic masculinity, and a bunch of other stuff that I’M NOT CRYING YOU’RE CRYING SHUT UP! Sure, this movie is terrific, but was its Oscar loss understandable? Or were there . . . other factors (I’m looking at you, Illuminati!)
Poll question: what’s your favorite filmic love story?
300 odcinków
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Manage episode 407534494 series 2403133
Treść dostarczona przez Max, Mike; Movies and Mike; Movies. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Max, Mike; Movies and Mike; Movies lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
We’ve got us a brand-new series! How often does that happen? Well, pretty often, but that’s part of the magic! This week, we’re kicking off our series “Didn’t Win. Didn’t Win. Didn’t Win” where we discuss movies that seemed like a lock for the Best Picture Oscar but instead were cruelly and viciously stomped upon by some other film that took their statue, stole their lunch money, and made fun of them at recess. That’s how the Academy works; don’t dispute me! Our first nominee is 2005’s “Brokeback Mountain,” a beautiful and heartbreaking story of love, social expectations, toxic masculinity, and a bunch of other stuff that I’M NOT CRYING YOU’RE CRYING SHUT UP! Sure, this movie is terrific, but was its Oscar loss understandable? Or were there . . . other factors (I’m looking at you, Illuminati!)
Poll question: what’s your favorite filmic love story?
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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