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Joan Schweighardt, "River Aria" (Five Directions Press, 2020)

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Treść dostarczona przez Marshall Poe. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Marshall Poe lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Today I talked to Joan Schweighardt about her novel River Aria (Five Directions Press, 2020).

It’s 1928 and Estela Euquério Hopper, of Manaus, Brazil, is the star vocal pupil of a world-renowned musician who’d come to revive a magnificent opera house. It had been erected during the heady years when rubber seemed likely to change Brazil’s fortunes. Those days ended, and most of the population is poor and struggling. Estela has grown up among the “river brats,” but she was fortunate to have a magnificent voice, a stellar musical education, and an American father. She’s got a job offer from the Metropolitan Opera House, but it’s only to work in the sewing room. And her cousin JoJo, another river brat and a talented artist, is going to accompany her across the ocean. But secrets threaten to destroy her plans, the heady days of Prohibition are about to come to an end, and the stock market is about to crash.

Joan Schweighardt studied English Lit and Philosophy at Suny New Paltz, NY and is the award-winning author of The Accidental Art Thief, The Last Wife of Attila the Hun, Virtual Silence, and other novels. Before We Died, Gifts for the Dead and River Aria make up her river series, whose stories unfold against an early 20th century backdrop that includes the South American rubber boom, the Great War (as experienced in Hoboken, NJ) and the beginnings of the Great Depression. The stories deal with themes of grief, loss, love, immigration, assimilation and more. Joan also wrote a book for children, No Time for Zebras (Waldorf Publishing 2019), about a mother and son, with drawings by artist Adryelle Villamizar. Schweinghardt worked for many years as a freelance writer, a ghostwriter, a literary agent, and the publisher of a small company with a list of award-winning books. When she’s not reading or writing her own books, she enjoys collaborating with other writers, and also loves to hike, bike, travel, and paint with oils.

I interview authors of beautifully written literary fiction and mysteries, and try to focus on independently published novels, especially by women and others whose voices deserve more attention. If your upcoming or recently published novel might be a candidate for a podcast, please contact me via my website, gpgottlieb dot com.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction

  continue reading

269 odcinków

Artwork
iconUdostępnij
 
Manage episode 324128793 series 2421496
Treść dostarczona przez Marshall Poe. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Marshall Poe lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Today I talked to Joan Schweighardt about her novel River Aria (Five Directions Press, 2020).

It’s 1928 and Estela Euquério Hopper, of Manaus, Brazil, is the star vocal pupil of a world-renowned musician who’d come to revive a magnificent opera house. It had been erected during the heady years when rubber seemed likely to change Brazil’s fortunes. Those days ended, and most of the population is poor and struggling. Estela has grown up among the “river brats,” but she was fortunate to have a magnificent voice, a stellar musical education, and an American father. She’s got a job offer from the Metropolitan Opera House, but it’s only to work in the sewing room. And her cousin JoJo, another river brat and a talented artist, is going to accompany her across the ocean. But secrets threaten to destroy her plans, the heady days of Prohibition are about to come to an end, and the stock market is about to crash.

Joan Schweighardt studied English Lit and Philosophy at Suny New Paltz, NY and is the award-winning author of The Accidental Art Thief, The Last Wife of Attila the Hun, Virtual Silence, and other novels. Before We Died, Gifts for the Dead and River Aria make up her river series, whose stories unfold against an early 20th century backdrop that includes the South American rubber boom, the Great War (as experienced in Hoboken, NJ) and the beginnings of the Great Depression. The stories deal with themes of grief, loss, love, immigration, assimilation and more. Joan also wrote a book for children, No Time for Zebras (Waldorf Publishing 2019), about a mother and son, with drawings by artist Adryelle Villamizar. Schweinghardt worked for many years as a freelance writer, a ghostwriter, a literary agent, and the publisher of a small company with a list of award-winning books. When she’s not reading or writing her own books, she enjoys collaborating with other writers, and also loves to hike, bike, travel, and paint with oils.

I interview authors of beautifully written literary fiction and mysteries, and try to focus on independently published novels, especially by women and others whose voices deserve more attention. If your upcoming or recently published novel might be a candidate for a podcast, please contact me via my website, gpgottlieb dot com.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction

  continue reading

269 odcinków

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