In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep 16: Show Trial - Hollywood, HUAC, and the Birth of the Blacklist, with Tom Doherty
MP3•Źródło odcinka
Manage episode 205773064 series 1404750
Treść dostarczona przez NOIR TALK and Film Noir Foundation. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez NOIR TALK and Film Noir Foundation lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Brandeis professor Tom Doherty joins us to discuss his new book about the 1947 Congressional hearings that led directly to Hollywood's anti-Communist blacklist. We start by untangling a few terms often used to describe the events of the time--HUAC, McCarthyism, the Red Scare--and the overall timeline of events in and around the hearings (2:15). Then we discuss the perspectives and strategies adopted by each of the main factions from Hollywood who were involved in the 1947 hearings: the studio bosses and their industry representatives from the MPAA (19:20), the staunch anti-Communist conservatives of the Motion Picture Alliance for the Preservation of American Ideals (34:55), the activist anti-HUAC liberals of the Committee for the First Amendment (44:45), and the Communist party members and sympathizers known as the Unfriendly Nineteen, whose ranks were randomly culled to the Hollywood Ten (51:30). We finish with how the end of the hearings led rapidly to the blacklist (1:03:30), the role that film noir played in smuggling what may have been considered subversive content into movies of the time (1:10:00), and a story about one of the last surviving people who was directly involved in the hearings, Marsha Hunt (1:15:00). Tom Doherty's book is available at: https://www.amazon.com/Show-Trial-Hollywood-Blacklist-Culture/dp/0231187785 Screenshots from several noir films where Diego Rivera's painting The Flower Carrier appears in the background, a possible sign of solidarity with victims of the blacklist: https://twitter.com/EddieMuller/status/934043742280884225 NOIR CITY Austin schedule and tickets: https://drafthouse.com/austin/program/noir-city-austin-2018 NOIR CITY Boston schedule and tickets: http://www.brattlefilm.org/category/noir-city-boston/ Please send us any feedback you have on our show to podcast@filmnoirfoundation.org, and rate/review us on iTunes. Music: Themes from I Walk Alone (by Victor Young), Crossfire (Roy Webb), and Dark Passage (Franz Waxman).
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17 odcinków
MP3•Źródło odcinka
Manage episode 205773064 series 1404750
Treść dostarczona przez NOIR TALK and Film Noir Foundation. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez NOIR TALK and Film Noir Foundation lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Brandeis professor Tom Doherty joins us to discuss his new book about the 1947 Congressional hearings that led directly to Hollywood's anti-Communist blacklist. We start by untangling a few terms often used to describe the events of the time--HUAC, McCarthyism, the Red Scare--and the overall timeline of events in and around the hearings (2:15). Then we discuss the perspectives and strategies adopted by each of the main factions from Hollywood who were involved in the 1947 hearings: the studio bosses and their industry representatives from the MPAA (19:20), the staunch anti-Communist conservatives of the Motion Picture Alliance for the Preservation of American Ideals (34:55), the activist anti-HUAC liberals of the Committee for the First Amendment (44:45), and the Communist party members and sympathizers known as the Unfriendly Nineteen, whose ranks were randomly culled to the Hollywood Ten (51:30). We finish with how the end of the hearings led rapidly to the blacklist (1:03:30), the role that film noir played in smuggling what may have been considered subversive content into movies of the time (1:10:00), and a story about one of the last surviving people who was directly involved in the hearings, Marsha Hunt (1:15:00). Tom Doherty's book is available at: https://www.amazon.com/Show-Trial-Hollywood-Blacklist-Culture/dp/0231187785 Screenshots from several noir films where Diego Rivera's painting The Flower Carrier appears in the background, a possible sign of solidarity with victims of the blacklist: https://twitter.com/EddieMuller/status/934043742280884225 NOIR CITY Austin schedule and tickets: https://drafthouse.com/austin/program/noir-city-austin-2018 NOIR CITY Boston schedule and tickets: http://www.brattlefilm.org/category/noir-city-boston/ Please send us any feedback you have on our show to podcast@filmnoirfoundation.org, and rate/review us on iTunes. Music: Themes from I Walk Alone (by Victor Young), Crossfire (Roy Webb), and Dark Passage (Franz Waxman).
…
continue reading
17 odcinków
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