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“You Have to Work Until You Die” and Other Barriers to Self-Care for People with Disabilities

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Manage episode 361325059 series 1542133
Treść dostarczona przez Rebecca Vallas and The Century Foundation. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Rebecca Vallas and The Century Foundation lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

This week, Off-Kilter continues our ongoing series of conversations with social justice leaders digging into why, in the famous words of Audre Lorde, self-care is political warfare—and the role radical self-care plays in their own lives to sustain them in this work. As we’ve explored a good bit in recent weeks as part of this series, the disability community harbors some of the greatest wisdom when it comes to radical self-care—with disabled people as modern-day oracles, as activist Alice Wong often puts it.

For this week’s episode, Rebecca sat down with Keith Jones, a longtime disability rights and justice activist, cofounder of Krip Hop Nation, president and CEO of Soul Touchin’ Experiences, and a visionary thinker when it comes to approaching social justice work itself as a form of radical self-care for the collective. As Keith puts it: “In order to build a stronger community, there must be a heart and soul commitment to those who need assistance in order to begin caring for themselves and in turn caring for others.”

They had a far-ranging conversation about one of the most significant barriers to self-care for people with disabilities: asset limits and other backwards policies that make “work until you die” the default retirement plan for a huge swath of the U.S. disability community; what it looks like to enter social justice work from the starting point that “everything has a soul”; how Keith has woven together hip hop music into his disability activism through Krip Hop Nation; and more.

For more:

  continue reading

157 odcinków

Artwork
iconUdostępnij
 
Manage episode 361325059 series 1542133
Treść dostarczona przez Rebecca Vallas and The Century Foundation. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Rebecca Vallas and The Century Foundation lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

This week, Off-Kilter continues our ongoing series of conversations with social justice leaders digging into why, in the famous words of Audre Lorde, self-care is political warfare—and the role radical self-care plays in their own lives to sustain them in this work. As we’ve explored a good bit in recent weeks as part of this series, the disability community harbors some of the greatest wisdom when it comes to radical self-care—with disabled people as modern-day oracles, as activist Alice Wong often puts it.

For this week’s episode, Rebecca sat down with Keith Jones, a longtime disability rights and justice activist, cofounder of Krip Hop Nation, president and CEO of Soul Touchin’ Experiences, and a visionary thinker when it comes to approaching social justice work itself as a form of radical self-care for the collective. As Keith puts it: “In order to build a stronger community, there must be a heart and soul commitment to those who need assistance in order to begin caring for themselves and in turn caring for others.”

They had a far-ranging conversation about one of the most significant barriers to self-care for people with disabilities: asset limits and other backwards policies that make “work until you die” the default retirement plan for a huge swath of the U.S. disability community; what it looks like to enter social justice work from the starting point that “everything has a soul”; how Keith has woven together hip hop music into his disability activism through Krip Hop Nation; and more.

For more:

  continue reading

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