In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez Time Machine Podcasts. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Time Machine Podcasts lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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062: Don't Tell Mom the Babysitter's Dead
Manage episode 406192372 series 3358496
Treść dostarczona przez Time Machine Podcasts. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Time Machine Podcasts lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
We dig into the 1990s with gusto by celebrating a symbolic end to the 1980s and its latchkey-tinted definition of family. Big, blown out hair and big, blown out shoulder pads will have their time in the sun as we examine the awkward transition from the go-go 80s to the keeping-it-real 90s. Dishes are done, man, and so is this podcast recording. Featuring Shrishma Naik, Carolyn Naoroz, and Justin Zeppa.
Don't Tell Mom the Babysitter's Dead was directed by Stephen Herek and stars Christina Applegate and Joanna Cassidy.
Join us on Patreon at the Boom Room for exclusive, ad-free bonus content in the form of super-deluxe length episodes:
patreon.com/oldmovietimemachine
We appreciate your support, so please subscribe, rate, review, and follow the show:
YouTube: youtube.com/@oldmovietimemachine
Instagram: @timemachinepodcasts
Facebook: facebook.com/oldmovietimemachine
Email: [email protected]
Buy our luxurious merchandise:
www.teepublic.com/user/old-movie-time-machine
★ Support this podcast on Patreon ★72 odcinków
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Manage episode 406192372 series 3358496
Treść dostarczona przez Time Machine Podcasts. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Time Machine Podcasts lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
We dig into the 1990s with gusto by celebrating a symbolic end to the 1980s and its latchkey-tinted definition of family. Big, blown out hair and big, blown out shoulder pads will have their time in the sun as we examine the awkward transition from the go-go 80s to the keeping-it-real 90s. Dishes are done, man, and so is this podcast recording. Featuring Shrishma Naik, Carolyn Naoroz, and Justin Zeppa.
Don't Tell Mom the Babysitter's Dead was directed by Stephen Herek and stars Christina Applegate and Joanna Cassidy.
Join us on Patreon at the Boom Room for exclusive, ad-free bonus content in the form of super-deluxe length episodes:
patreon.com/oldmovietimemachine
We appreciate your support, so please subscribe, rate, review, and follow the show:
YouTube: youtube.com/@oldmovietimemachine
Instagram: @timemachinepodcasts
Facebook: facebook.com/oldmovietimemachine
Email: [email protected]
Buy our luxurious merchandise:
www.teepublic.com/user/old-movie-time-machine
★ Support this podcast on Patreon ★72 odcinków
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continue reading
The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
…
continue reading
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…
continue reading
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