"I should be writing" is what people say, but they rarely do it. This podcast is designed to help you get past those blocks, whether it's what your teacher told you when you were a kid, to being totally sure you'll never be as good as (FAV AUTHOR) so you might as well quit.
…
continue reading
Treść dostarczona przez Write Gear. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Write Gear lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Ep. 195 - Ilaria Bernardini on writing in both Italian and English and the difference in novel and screenwriting
Manage episode 426014099 series 2791487
Treść dostarczona przez Write Gear. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Write Gear lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Ilaria Bernardini is one of Italy’s leading novelists, now writing novels in the English language, and an exciting emerging screenwriter. She has film and television projects in development and in production with Lorenzo Mieli's The Apartment, Andy Harries’ Left Bank Pictures, The Russo Brothers/Amazon Studios, Francesco Melzi D’Eril's (SUSPIRIA, BECKETT) MeMo Films. Ilaria helped adapt her own novel CORPO LIBERO for producers Indigo/ALL3MEDIA and Rai & Paramount+. She is also continuing to develop Bernardo Bertolucci’s final script (which Ilaria co-wrote with him) THE ECHO CHAMBER. For Amazon Studios, the Russo Brothers (as directors and creators) & Cattleya she is writing the international science fiction TV series, CITADEL. Her book, WE WILL BE FOREST, is just out in the UK.
We enjoyed speaking with Ilaria and hearing about her unusual route into publishing via approaching publishers and then authors directly (not a route that she recommends others follow!) Plus, we hear why she chooses to write some books in Italian and some in English, why she translated her own English novel, The Portrait, into Italian, and what it is like working with the Russo brothers on Amazon's CITADEL series.
Links:
Page One - The Writer's Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-one
Follow us on Twitter/X
Follow us on Facebook
Follow us on Instagram
Follow us on Bluesky
Follow us on Threads
Hosted on Acast. See acast.com/privacy for more information.
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Manage episode 426014099 series 2791487
Treść dostarczona przez Write Gear. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Write Gear lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Ilaria Bernardini is one of Italy’s leading novelists, now writing novels in the English language, and an exciting emerging screenwriter. She has film and television projects in development and in production with Lorenzo Mieli's The Apartment, Andy Harries’ Left Bank Pictures, The Russo Brothers/Amazon Studios, Francesco Melzi D’Eril's (SUSPIRIA, BECKETT) MeMo Films. Ilaria helped adapt her own novel CORPO LIBERO for producers Indigo/ALL3MEDIA and Rai & Paramount+. She is also continuing to develop Bernardo Bertolucci’s final script (which Ilaria co-wrote with him) THE ECHO CHAMBER. For Amazon Studios, the Russo Brothers (as directors and creators) & Cattleya she is writing the international science fiction TV series, CITADEL. Her book, WE WILL BE FOREST, is just out in the UK.
We enjoyed speaking with Ilaria and hearing about her unusual route into publishing via approaching publishers and then authors directly (not a route that she recommends others follow!) Plus, we hear why she chooses to write some books in Italian and some in English, why she translated her own English novel, The Portrait, into Italian, and what it is like working with the Russo brothers on Amazon's CITADEL series.
Links:
Page One - The Writer's Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-one
Follow us on Twitter/X
Follow us on Facebook
Follow us on Instagram
Follow us on Bluesky
Follow us on Threads
Hosted on Acast. See acast.com/privacy for more information.
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Podobny do Page One - The Writer's Podcast
"I should be writing" is what people say, but they rarely do it. This podcast is designed to help you get past those blocks, whether it's what your teacher told you when you were a kid, to being totally sure you'll never be as good as (FAV AUTHOR) so you might as well quit.
…
continue reading
A weekly comic book podcast by fans for fans. Reviews, discussions, news, contests and more.
…
continue reading
Read along with the Sword and Laser book club! From classic science fiction to the latest gritty fantasy, we cover it. Subscribe for book discussions, author interviews, hot releases, and news from the genre fiction world!
…
continue reading
An investigative podcast hosted by world-renowned literary critic and publishing insider Bethanne Patrick. Book bans are on the rise across America. With the rise of social media, book publishers are losing their power as the industry gatekeepers. More and more celebrities and influencers are publishing books with ghostwriters. Writing communities are splintering because members are at cross purposes about their mission. An all-new season of the investigative podcast Missing Pages premieres ...
…
continue reading
The iFanboy.com Comic Book Podcast is a weekly talk show all about the best new current comic book releases. Lifelong friends, Conor Kilpatrick and Josh Flanagan talk about what they loved and (sometimes) hated in the current weekly books, from publishers like Marvel, DC, Image Comics, Dark Horse Comics, BOOM! Studios, IDW, Aftershock, Valiant, and more. The aim is to have a fun time, some laughs, but to also really understand what makes comic books work and what doesn’t, and trying to under ...
…
continue reading
Comic Geek Speak is the best podcast about comic books for fans and new readers alike. Put together by a group of life-long comic geeks, it's 4-5 hours a week of comic book history, current comic news, and a general look at the industry. In addition to all the latest in comics talk, the show also features creator interviews, listener responses, contests, and trivia, lots of trivia. So listen in and experience all the joys of a Wednesday afternoon at the comic shop, from the comfort of your o ...
…
continue reading
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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…
continue reading
Free daily dose of word power from Merriam-Webster's experts
…
continue reading
Marvel’s “Wolverine: The Lost Trail” is an epic quest that takes place in the Louisiana bayou. Following the events of Marvel’s “Wolverine: The Long Night,” Logan (Richard Armitage) returns to New Orleans in search of redemption, only to discover that his ex-lover, Maureen is nowhere to be found. And she's not the only one. Dozens of humans and mutants have gone missing, including the mother of a teenage boy, Marcus Baptiste. With Weapon X in close pursuit, Logan and Marcus must team up and ...
…
continue reading
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