In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez Jake Serwin & Ian Rhine, Jake Serwin, and Ian Rhine. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Jake Serwin & Ian Rhine, Jake Serwin, and Ian Rhine lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Ep. 50: American Sniper (2014)
Manage episode 393753493 series 3520445
Treść dostarczona przez Jake Serwin & Ian Rhine, Jake Serwin, and Ian Rhine. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Jake Serwin & Ian Rhine, Jake Serwin, and Ian Rhine lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
This is a big one, folks: for our 50th episode (arguably), we're taking aim at Clint Eastwood's monster hit military biopic AMERICAN SNIPER. Is this an anti-war film, as Clint claims? Is it a glorification of military power? Is it either? Why does Chris Kyle's hat say "Charlie" on it? What is Bradley Cooper's whole deal? For real, though, we get into a lot of pretty heavy stuff on this one, and we're extremely smart about it. They say we're the deadliest minds-men in podcast history, with over 200 confirmed Good Points each. Listen and enjoy!
Topics include: trucks, healing uses of orange juice, THANK YOU FOR YOUR SERVICE, hedge fund guys wrestling on the floor of a bar, military intelligence, MAESTRO (sort of), texting while driving, and much more.
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Manage episode 393753493 series 3520445
Treść dostarczona przez Jake Serwin & Ian Rhine, Jake Serwin, and Ian Rhine. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Jake Serwin & Ian Rhine, Jake Serwin, and Ian Rhine lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
This is a big one, folks: for our 50th episode (arguably), we're taking aim at Clint Eastwood's monster hit military biopic AMERICAN SNIPER. Is this an anti-war film, as Clint claims? Is it a glorification of military power? Is it either? Why does Chris Kyle's hat say "Charlie" on it? What is Bradley Cooper's whole deal? For real, though, we get into a lot of pretty heavy stuff on this one, and we're extremely smart about it. They say we're the deadliest minds-men in podcast history, with over 200 confirmed Good Points each. Listen and enjoy!
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https://www.podcastyforme.com/
Follow Pod Casty For Me:
https://twitter.com/podcastyforme
https://www.instagram.com/podcastyforme/
https://www.youtube.com/@podcastyforme
Support us on Patreon:
https://www.patreon.com/PodCastyForMe
Artwork by Jeremy Allison:
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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…
continue reading
Determining if all these so called classic films are indeed just that.
…
continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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