In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Malayalam Movie Round-Up P1: Aattam & Bramayugam #117
Manage episode 408566007 series 2984103
Treść dostarczona przez Queen Is Dead. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Queen Is Dead lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
In this episode, Dhruv and Amartya welcome Devi (@film.trance) back to talk about two Malayalam movies recently released on OTT: Anand Ekarshi's morally complex drama/thriller "Aattam" (on Amazon Prime Video) and Rahul Sadasivan's folk horror film "Bramayugam" (on Sony Liv).
Both films serve up narratives and, especially, aesthetic styles largely underexplored by contemporary Indian cinema. Reference points range from international—Iranian filmmaker Asghar Farhadi and A24's elevated horror films—to local—legendary Malayalam filmmaker K.C. George and Rahi Anil Barve's "Tumbbad." But these films feel wholly original, either wanting to tackle thorny subject matters in contemporary society in thorny ways ("Aattam") or creating a new Old world whose order -- even in the wilderness -- eerily resembles that of our reality ("Bramayugam").
Listen to the full, spoiler-filled episode to know what we thought about each of these movies and how their superior quality makes Dhruv and Amartya want to tear their hearts out when they see contemporary B'wood movies.
TIMECODES
INTRODUCTION - [00:00 - 03:40]
"AATTAM" - [03:40 - 01:11:10]
"BRAMAYUGAM" - [01:11:10 - 02:21:00]
Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people!
You can also follow our Instagram page:
https://instagram.com/queenisdead.filmpodcast
Amartya: https://www.instagram.com/amartya25/ Devi: https://www.instagram.com/film.trance Dhruv: https://www.instagram.com/terminalcinema/
Follow us on Letterboxd at:
Devi: https://letterboxd.com/cinemamadhuram/
Amartya: https://letterboxd.com/amartya/ Dhruv - https://letterboxd.com/aterminalcinema/
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Manage episode 408566007 series 2984103
Treść dostarczona przez Queen Is Dead. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Queen Is Dead lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
In this episode, Dhruv and Amartya welcome Devi (@film.trance) back to talk about two Malayalam movies recently released on OTT: Anand Ekarshi's morally complex drama/thriller "Aattam" (on Amazon Prime Video) and Rahul Sadasivan's folk horror film "Bramayugam" (on Sony Liv).
Both films serve up narratives and, especially, aesthetic styles largely underexplored by contemporary Indian cinema. Reference points range from international—Iranian filmmaker Asghar Farhadi and A24's elevated horror films—to local—legendary Malayalam filmmaker K.C. George and Rahi Anil Barve's "Tumbbad." But these films feel wholly original, either wanting to tackle thorny subject matters in contemporary society in thorny ways ("Aattam") or creating a new Old world whose order -- even in the wilderness -- eerily resembles that of our reality ("Bramayugam").
Listen to the full, spoiler-filled episode to know what we thought about each of these movies and how their superior quality makes Dhruv and Amartya want to tear their hearts out when they see contemporary B'wood movies.
TIMECODES
INTRODUCTION - [00:00 - 03:40]
"AATTAM" - [03:40 - 01:11:10]
"BRAMAYUGAM" - [01:11:10 - 02:21:00]
Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people!
You can also follow our Instagram page:
https://instagram.com/queenisdead.filmpodcast
Amartya: https://www.instagram.com/amartya25/ Devi: https://www.instagram.com/film.trance Dhruv: https://www.instagram.com/terminalcinema/
Follow us on Letterboxd at:
Devi: https://letterboxd.com/cinemamadhuram/
Amartya: https://letterboxd.com/amartya/ Dhruv - https://letterboxd.com/aterminalcinema/
140 odcinków
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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continue reading
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continue reading
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continue reading
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continue reading
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continue reading
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…
continue reading
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continue reading
Player FM - aplikacja do podcastów
Przejdź do trybu offline z Player FM !
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