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EX.676 James Blake

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Manage episode 375725721 series 55697
Treść dostarczona przez RA Exchange and Resident Advisor. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez RA Exchange and Resident Advisor lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
"I've been lucky to work with some of my favourite artists of all time." The Grammy Award-winning producer discusses working with Jay-Z, throwing dubstep parties and his new album. Many people know James Blake as the singer behind the breakout cover of Feist's "Limit To Your Love," which was a hit in the underground and global pop music charts, or the Grammy Award-winning producer who has worked with artists like Beyonce, Frank Ocean, Vince Staples and Bon Iver, among many others. Before all of this, Blake was making records for R&S and Hemlock—two UK mainstays in the dubstep and garage scenes. As a 20-year-old, he was also throwing bass nights on his Goldsmiths University campus called The Bass Society, inviting the likes of Skream & Benga to empty auditoriums. Back then, “we never made any money," he describes in this week's RA Exchange. "But we had so much fun. The feeling of promoting a night and getting Distance to come and play your night, even if there were only 20 people there, just felt like such a massive achievement." His passion for this music never left, and now he's coming full circle with his album Playing Robots Into Heaven, out September 8th. For more on his vision behind this new record, his collage-like production techniques and his take on being a producer versus an artist, listen to the episode in full.
  continue reading

1004 odcinków

Artwork

EX.676 James Blake

RA Exchange

2,487 subscribers

published

iconUdostępnij
 
Manage episode 375725721 series 55697
Treść dostarczona przez RA Exchange and Resident Advisor. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez RA Exchange and Resident Advisor lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
"I've been lucky to work with some of my favourite artists of all time." The Grammy Award-winning producer discusses working with Jay-Z, throwing dubstep parties and his new album. Many people know James Blake as the singer behind the breakout cover of Feist's "Limit To Your Love," which was a hit in the underground and global pop music charts, or the Grammy Award-winning producer who has worked with artists like Beyonce, Frank Ocean, Vince Staples and Bon Iver, among many others. Before all of this, Blake was making records for R&S and Hemlock—two UK mainstays in the dubstep and garage scenes. As a 20-year-old, he was also throwing bass nights on his Goldsmiths University campus called The Bass Society, inviting the likes of Skream & Benga to empty auditoriums. Back then, “we never made any money," he describes in this week's RA Exchange. "But we had so much fun. The feeling of promoting a night and getting Distance to come and play your night, even if there were only 20 people there, just felt like such a massive achievement." His passion for this music never left, and now he's coming full circle with his album Playing Robots Into Heaven, out September 8th. For more on his vision behind this new record, his collage-like production techniques and his take on being a producer versus an artist, listen to the episode in full.
  continue reading

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