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EX.702 Ben Frost

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Manage episode 403743702 series 55697
Treść dostarczona przez RA Exchange and Resident Advisor. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez RA Exchange and Resident Advisor lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
"I often myself being responsible for a film's music, but also fighting for its absence." The composer discusses movie scoring, his love of opera and his new album, Scope Neglect, on Mute Records. The multidisciplinary Australian artist Ben Frost might best be known for his score work: he's soundtracked Netflix shows like Dark and its spinoff 1899, as well as a number of major motion pictures and video games. While his formal studies were in visual art, he started experimenting with music-making from an early age, homing in on a unique sound that is truly a melange of his influences in punk, black metal, classical and modern minimalism. His unique approach to composition has led him to some extreme places to capture field recordings, like the Democratic Republic of the Congo, the Amazon rainforest and the empty hulls of fishing boats docked on the banks of Icelandic port towns. Artists like Steve Albini, Björk, Brian Eno and the band SWANS have tapped Frost to work with them, and he's performed extensively as a solo performer and as part of an A/V outfit at the world's biggest festivals and art world circuits. In this episode of the RA Exchange, he sits down with senior producer Chloe Lula to discuss his latest venture, a full-length album, Scope Neglect, on Mute. It pulls heavily from his proclivity for guitar music and metal, but still nods to the cinematic minimalism that has become one of his work's primary tropes. Frost dissects some of the recording techniques he used to make the record—he borrowed from the methods used by Mark Hollis of the band Talk Talk—as well as his studio practice, his love of opera and his approach to writing scores. Listen to the episode in full.
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Artwork

EX.702 Ben Frost

RA Exchange

2,487 subscribers

published

iconUdostępnij
 
Manage episode 403743702 series 55697
Treść dostarczona przez RA Exchange and Resident Advisor. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez RA Exchange and Resident Advisor lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
"I often myself being responsible for a film's music, but also fighting for its absence." The composer discusses movie scoring, his love of opera and his new album, Scope Neglect, on Mute Records. The multidisciplinary Australian artist Ben Frost might best be known for his score work: he's soundtracked Netflix shows like Dark and its spinoff 1899, as well as a number of major motion pictures and video games. While his formal studies were in visual art, he started experimenting with music-making from an early age, homing in on a unique sound that is truly a melange of his influences in punk, black metal, classical and modern minimalism. His unique approach to composition has led him to some extreme places to capture field recordings, like the Democratic Republic of the Congo, the Amazon rainforest and the empty hulls of fishing boats docked on the banks of Icelandic port towns. Artists like Steve Albini, Björk, Brian Eno and the band SWANS have tapped Frost to work with them, and he's performed extensively as a solo performer and as part of an A/V outfit at the world's biggest festivals and art world circuits. In this episode of the RA Exchange, he sits down with senior producer Chloe Lula to discuss his latest venture, a full-length album, Scope Neglect, on Mute. It pulls heavily from his proclivity for guitar music and metal, but still nods to the cinematic minimalism that has become one of his work's primary tropes. Frost dissects some of the recording techniques he used to make the record—he borrowed from the methods used by Mark Hollis of the band Talk Talk—as well as his studio practice, his love of opera and his approach to writing scores. Listen to the episode in full.
  continue reading

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