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EX.718 BASHKKA

44:09
 
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Manage episode 424586587 series 55697
Treść dostarczona przez RA Exchange and Resident Advisor. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez RA Exchange and Resident Advisor lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
"My place of rebirth was New York." The DJ and producer discusses Brooklyn's queer ballroom scene and advocating for Munich's queer community at BLITZ Club. BASHKKA is a name you might recognise from festival lineups. In fact, it seems to be everywhere these days. The Munich-based artist has seemingly blown up in the past 24 months, but her ascent is well-deserved. The Munich-based DJ has been a resident at BLITZ Club for two years since returning from a decade-long stint in New York, where she quickly found family with Brooklyn's trans community. While she's now living back in Germany, the experience ignited a lifelong commitment to her advocacy for the cultural, political and de-colonial advancement of electronic music. She is an activist for Southwest Asian and North African artists across the scene, especially those from queer femme backgrounds or who have been otherwise marginalised from the mainstream dance music narrative. In this interview with the Exchange's senior producer Chloe Lula, BASHKKA talks about her roots and how the dichotomy of growing up to a Turkish family in Bavaria—and then living within the trans community in New York—has shaped her creativity and her outlook on family and life. She also talks about her debut EP, Maktub, on Nene H's label Umay, where she explores a mixture of ballroom, ghetto tech, house and the legacy of her years in New York. According to the artist, it's a "hot stew of seduction"—and it's only a prelude of what's to come. Listen to the episode in full.
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1042 odcinków

Artwork

EX.718 BASHKKA

RA Exchange

2,492 subscribers

published

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Manage episode 424586587 series 55697
Treść dostarczona przez RA Exchange and Resident Advisor. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez RA Exchange and Resident Advisor lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
"My place of rebirth was New York." The DJ and producer discusses Brooklyn's queer ballroom scene and advocating for Munich's queer community at BLITZ Club. BASHKKA is a name you might recognise from festival lineups. In fact, it seems to be everywhere these days. The Munich-based artist has seemingly blown up in the past 24 months, but her ascent is well-deserved. The Munich-based DJ has been a resident at BLITZ Club for two years since returning from a decade-long stint in New York, where she quickly found family with Brooklyn's trans community. While she's now living back in Germany, the experience ignited a lifelong commitment to her advocacy for the cultural, political and de-colonial advancement of electronic music. She is an activist for Southwest Asian and North African artists across the scene, especially those from queer femme backgrounds or who have been otherwise marginalised from the mainstream dance music narrative. In this interview with the Exchange's senior producer Chloe Lula, BASHKKA talks about her roots and how the dichotomy of growing up to a Turkish family in Bavaria—and then living within the trans community in New York—has shaped her creativity and her outlook on family and life. She also talks about her debut EP, Maktub, on Nene H's label Umay, where she explores a mixture of ballroom, ghetto tech, house and the legacy of her years in New York. According to the artist, it's a "hot stew of seduction"—and it's only a prelude of what's to come. Listen to the episode in full.
  continue reading

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