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Peachy Keenan: cosmopolitan radical traditionalist
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Treść dostarczona przez Razib Khan. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Razib Khan lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
On this episode of Unsupervised Learning Razib talks to the pseudonymous commentator “Peachy Keenan.” A native of Los Angeles with an Ivy League education, Keenan worked in entertainment before detouring into punditry, writing for the Claremont Institute’s The American Mind, appearing on Fox News and penning Domestic Extremist: A Practical Guide to Winning the Culture War.
Razib and Keenan discuss her peripatetic and unique journey from a relatively apolitical member of America’s liberal professional managerial class to a conservative Catholic housewife with a large family. Keenan talks about her ability to connect with audiences of all stripes despite her partisan leanings as the product of her cosmopolitan upbringing among coastal elites. Though in her values and practices she lives the life of the “domestic extremist,” she still retains an aesthetic appreciation of the broader culture in which she grew up. Domestic Extremist is to a great extent a roadmap from where she was, to where she is. Keenan offers a sort of primer on how to change the “factory settings” for the American professional class, proposing traditional family life as an exit out of the endless rat race.
They also discuss the reality that the modern conservative culture falls short of produce any art for its own sake, at most putting out fare that ranges from overly didactic films produced by the Daily Wire to the cringe-inducing Christian film industry. Keenan emphasizes that good art must be good art, first and foremost, and whatever ideological valence should be layered in with subtlety and taste. She also discusses the problems with raising consciousness among conservative philanthropists about the problem of right-wing philistinism, and why aesthetic excellence would be a boon in any attempt to recapture the cultural high ground.
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