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Treść dostarczona przez Bob Wessels. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Bob Wessels lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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RM24014 - Studying with Rembrandt

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Manage episode 430518293 series 3552285
Treść dostarczona przez Bob Wessels. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Bob Wessels lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Send us a text

Welcome, or welcome back again.
Today it is literally about Rembrandt's money.
Rembrandt had three main sources of income: commissions for paintings,
selling etches and receiving fees from teaching pupils.
We are most familiar with his paintings and etches, commissioned by patrons
or produced for the commercial market, or just simply for private use. Much
less is known about Rembrandt’s pupils and how he taught them.
In this episode of the podcast ‘Rembrandts Money’ (available via
www.rembrandtsmoney.com and other standard podcast channels),
I will try to shed some more light on his activities as a master for his pupils.
How many pupils did he have and at what period in his working life? What did
he teach them? Did they remain true to Rembrandt’s artistic style?
Welcome, to the master’s contact and guidance of his pupils
1. Idea, research, author, and narration: Bob Wessels: linkedin.com/in/bobwessels
2. Artwork, editing, production: Jan Wind: linkedin.com/in/janwind-videomaker
3. Artwork based on the bookcover of ‘Rembrandt’s money’ designed by Teun Okkerse: linkedin.com/in/theun-okkerse-516130b
4. Copyright accountability:
Music: Royal Philharmonic Orchestra (orchestra) - Thomas Beecham (conductor) The Salomon Symphonies (Volume One) — Capitol Records, 1958. GCR 7127. Copyright Public Domain - Source: Internet Archive - Public Domain
Artwork for this episode:
Public Domain Wiki Commons.
1. Welcome: https://www.rembrandtsmoney.com
1. Blog: https://www.rembrandtsmoney.com/blog/
2. Website: https://www.rembrandtsmoney.com
3. Sources: https://www.rembrandtsmoney.com/sources/
4. Instagram: https://www.instagram.com/rembrandtsmoney/
For a few years I did extensive research, leading to my book of Rembrandt’s Money. The legal and financial life of an artist-entrepreneur in 17th century Holland. The first edition of the book Rembrandt’s Money, published in autumn 2021. It is nearly sold out. See https://webshop.rembrandthuis.nl/nl/rembrandts-money.htmlOr: https://shop.wolterskluwer.nl/Rembrandt-s-Money-sNPREMBMON/?gad_source=1&gclid=CjwKCAiAu9yqBhBmEiwAHTx5p09qw-mnSxvfLuexD9n-MFLvE_EABhlDHGVEMVes2b2ygNNeyMim-BoCqbgQAvD_BwE

  continue reading

19 odcinków

Artwork
iconUdostępnij
 
Manage episode 430518293 series 3552285
Treść dostarczona przez Bob Wessels. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Bob Wessels lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Send us a text

Welcome, or welcome back again.
Today it is literally about Rembrandt's money.
Rembrandt had three main sources of income: commissions for paintings,
selling etches and receiving fees from teaching pupils.
We are most familiar with his paintings and etches, commissioned by patrons
or produced for the commercial market, or just simply for private use. Much
less is known about Rembrandt’s pupils and how he taught them.
In this episode of the podcast ‘Rembrandts Money’ (available via
www.rembrandtsmoney.com and other standard podcast channels),
I will try to shed some more light on his activities as a master for his pupils.
How many pupils did he have and at what period in his working life? What did
he teach them? Did they remain true to Rembrandt’s artistic style?
Welcome, to the master’s contact and guidance of his pupils
1. Idea, research, author, and narration: Bob Wessels: linkedin.com/in/bobwessels
2. Artwork, editing, production: Jan Wind: linkedin.com/in/janwind-videomaker
3. Artwork based on the bookcover of ‘Rembrandt’s money’ designed by Teun Okkerse: linkedin.com/in/theun-okkerse-516130b
4. Copyright accountability:
Music: Royal Philharmonic Orchestra (orchestra) - Thomas Beecham (conductor) The Salomon Symphonies (Volume One) — Capitol Records, 1958. GCR 7127. Copyright Public Domain - Source: Internet Archive - Public Domain
Artwork for this episode:
Public Domain Wiki Commons.
1. Welcome: https://www.rembrandtsmoney.com
1. Blog: https://www.rembrandtsmoney.com/blog/
2. Website: https://www.rembrandtsmoney.com
3. Sources: https://www.rembrandtsmoney.com/sources/
4. Instagram: https://www.instagram.com/rembrandtsmoney/
For a few years I did extensive research, leading to my book of Rembrandt’s Money. The legal and financial life of an artist-entrepreneur in 17th century Holland. The first edition of the book Rembrandt’s Money, published in autumn 2021. It is nearly sold out. See https://webshop.rembrandthuis.nl/nl/rembrandts-money.htmlOr: https://shop.wolterskluwer.nl/Rembrandt-s-Money-sNPREMBMON/?gad_source=1&gclid=CjwKCAiAu9yqBhBmEiwAHTx5p09qw-mnSxvfLuexD9n-MFLvE_EABhlDHGVEMVes2b2ygNNeyMim-BoCqbgQAvD_BwE

  continue reading

19 odcinków

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