In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez Remember Shuffle. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Remember Shuffle lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Determining if all these so called classic films are indeed just that.
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))
Juno: E10 Stuff White People Like
Manage episode 342697988 series 3364835
Treść dostarczona przez Remember Shuffle. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Remember Shuffle lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
The 2000s were such an apolitical decade that even the folk music and abortion movies lacked any social commentary. Remember Shuffle takes a look at 2007’s “Juno” and asks some Very Important Questions™: is Juno an indie film darling that struck gold, or a cynical cashing-in on the twee craze of the aughts? Is it a sweet film about an independent and self-sufficient teenager maturing and embracing vulnerability, or is it a coded message to the working class that the bourgeoisie is fracturing and through class solidarity there is a world to win? Is Juno single-handedly responsible for the Dobbs decision stripping away reproductive rights in most of America, or can movies not do that?
Links to Jordan’s Book:
Booktopia:
https://www.booktopia.com.au/ugly-paul-fenech/book/9781761043727.html
Penguin website:
59 odcinków
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Manage episode 342697988 series 3364835
Treść dostarczona przez Remember Shuffle. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Remember Shuffle lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
The 2000s were such an apolitical decade that even the folk music and abortion movies lacked any social commentary. Remember Shuffle takes a look at 2007’s “Juno” and asks some Very Important Questions™: is Juno an indie film darling that struck gold, or a cynical cashing-in on the twee craze of the aughts? Is it a sweet film about an independent and self-sufficient teenager maturing and embracing vulnerability, or is it a coded message to the working class that the bourgeoisie is fracturing and through class solidarity there is a world to win? Is Juno single-handedly responsible for the Dobbs decision stripping away reproductive rights in most of America, or can movies not do that?
Links to Jordan’s Book:
Booktopia:
https://www.booktopia.com.au/ugly-paul-fenech/book/9781761043727.html
Penguin website:
59 odcinków
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Podobny do Remember Shuffle
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
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…
continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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continue reading
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continue reading
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continue reading
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
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Determining if all these so called classic films are indeed just that.
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continue reading
If you're like Matt Gourley (Superego, Drunk History, Conan O'Brien Needs A Friend), then you know all the classic movie and television scenes so well it's like you were in the room when they happened. Well, you weren't. And neither was he. But the people Matt interviews were! Listen in as they tell the inside stories of how cinema and television history was made from a fly-on-the-wall perspective you've never heard. Hosted on Acast. See acast.com/privacy for more information.
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continue reading
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Player FM - aplikacja do podcastów
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Przejdź do trybu offline z Player FM !
