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#40: Abigail Disney & Dorothy Fortenberry 2018

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Manage episode 232032880 series 1334557
Treść dostarczona przez Rewrite Radio and Festival of Faith. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Rewrite Radio and Festival of Faith lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
On today’s episode of Rewrite Radio: working in the television and movie industry, Abigail Disney and Dorothy Fortenberry are involved in making some of the most significant media today. In this wide-ranging conversation with Jennifer Holberg, co-director of the CCFW, they discuss the ethical imperatives that shape--and should shape--the stories we tell on-screen. Abigail Disney is an award-winning filmmaker, philanthropist, and the CEO and president of Fork Films, which has supported more than 50 films and series that focus on social issues. Disney received her bachelor’s degree from Yale, her master’s from Stanford, and her doctorate from Columbia. An active supporter of peacebuilding, Disney is passionate about advancing women’s roles in the public sphere. In fact, in 2008 she turned to documentaries--inspired by the story of a group of women who used nonviolence to bring an end to Liberia’s long civil war--with the film Pray the Devil Back to Hell, named best documentary at the Tribeca Film Festival. Disney’s directorial debut, The Armor of Light, premiered at the 2015 Tribeca Film Festival. Dorothy Fortenberry is a producer and writer on Hulu’s Emmy Award-winning series The Handmaid’s Tale. Prior to that, she spent three years on the writing staff for the CW series The 100. In 2017, IAMA Theatre Company produced the world premiere production of Fortenberry's play Species Native to California, a modern re-telling of The Cherry Orchard. Her play Partners had its world premiere at the Humana Festival of New American Plays at the Actors Theatre of Louisville. Fortenberry's essays on subjects including faith, fear, and the politics of country music have appeared in The Los Angeles Review of Books, Real Simple, and Pacific Standard. Dorothy is a recipient of the Helen Merrill Award for Emerging Playwrights, and she has an MFA in playwriting from the Yale School of Drama. You can find more information about the Center and its signature event, the Festival of Faith and Writing, online at ccfw.calvin.edu and festival.calvin.edu and on Facebook, Twitter, and Instagram.
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70 odcinków

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iconUdostępnij
 
Manage episode 232032880 series 1334557
Treść dostarczona przez Rewrite Radio and Festival of Faith. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Rewrite Radio and Festival of Faith lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
On today’s episode of Rewrite Radio: working in the television and movie industry, Abigail Disney and Dorothy Fortenberry are involved in making some of the most significant media today. In this wide-ranging conversation with Jennifer Holberg, co-director of the CCFW, they discuss the ethical imperatives that shape--and should shape--the stories we tell on-screen. Abigail Disney is an award-winning filmmaker, philanthropist, and the CEO and president of Fork Films, which has supported more than 50 films and series that focus on social issues. Disney received her bachelor’s degree from Yale, her master’s from Stanford, and her doctorate from Columbia. An active supporter of peacebuilding, Disney is passionate about advancing women’s roles in the public sphere. In fact, in 2008 she turned to documentaries--inspired by the story of a group of women who used nonviolence to bring an end to Liberia’s long civil war--with the film Pray the Devil Back to Hell, named best documentary at the Tribeca Film Festival. Disney’s directorial debut, The Armor of Light, premiered at the 2015 Tribeca Film Festival. Dorothy Fortenberry is a producer and writer on Hulu’s Emmy Award-winning series The Handmaid’s Tale. Prior to that, she spent three years on the writing staff for the CW series The 100. In 2017, IAMA Theatre Company produced the world premiere production of Fortenberry's play Species Native to California, a modern re-telling of The Cherry Orchard. Her play Partners had its world premiere at the Humana Festival of New American Plays at the Actors Theatre of Louisville. Fortenberry's essays on subjects including faith, fear, and the politics of country music have appeared in The Los Angeles Review of Books, Real Simple, and Pacific Standard. Dorothy is a recipient of the Helen Merrill Award for Emerging Playwrights, and she has an MFA in playwriting from the Yale School of Drama. You can find more information about the Center and its signature event, the Festival of Faith and Writing, online at ccfw.calvin.edu and festival.calvin.edu and on Facebook, Twitter, and Instagram.
  continue reading

70 odcinków

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