In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez Saturday the 14th: A Horror Movie Podcast. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Saturday the 14th: A Horror Movie Podcast lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Saturday the Ted-Teenth: Drag Me To Hell
Manage episode 211250908 series 1761785
Treść dostarczona przez Saturday the 14th: A Horror Movie Podcast. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Saturday the 14th: A Horror Movie Podcast lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
How long should a horror movie be able to hold up without seeming dated or offensive? How should a horror-satire best follow through on its satirical goals? What unexpected problems arise when a male writer/director writes a movie centered around a female protagonist? Why on earth wouldn't you check to make sure you're giving away the right cursed button? We discuss all these questions and so much more, in our discussion of Sam Raimi's 2009 film, Drag Me To Hell.
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Manage episode 211250908 series 1761785
Treść dostarczona przez Saturday the 14th: A Horror Movie Podcast. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Saturday the 14th: A Horror Movie Podcast lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
How long should a horror movie be able to hold up without seeming dated or offensive? How should a horror-satire best follow through on its satirical goals? What unexpected problems arise when a male writer/director writes a movie centered around a female protagonist? Why on earth wouldn't you check to make sure you're giving away the right cursed button? We discuss all these questions and so much more, in our discussion of Sam Raimi's 2009 film, Drag Me To Hell.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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Przejdź do trybu offline z Player FM !
Przejdź do trybu offline z Player FM !
