In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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20 - Skinamarink director Kyle Edward Ball
Manage episode 352337117 series 3303733
Treść dostarczona przez Screen Slate. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Screen Slate lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Five years ago Kyle Edward Ball started making short horror videos inspired by people’s nightmares and posting them on YouTube. His debut feature Skinamarink—shot for just $15,000 in his childhood home in Edmonton, Canada—was the breakout hit of last year’s Fantasia Film Festival, and came from out of nowhere to become one of the most anticipated upcoming horror films.
Ahead of the film’s theatrical release this Friday, Ball joined the Screen Slate pod over Zoom to talk about getting started as a filmmaking, finding his unique voice, the YouTube analog horror movement, straddling the line between narrative and dream logic, and his response to the film going viral before its release.
Links
Skinamarink trailer
Bitesized Nightmares
Heck (Skinamarink proof-of-concept short)
The Screen Slate Podcast is supported by its Patreon members. Sign up and get access to bonus episodes, our lockdown-era streaming series archives, discounts from partners like Criterion and Posteritati, event invitations, and more.
47 odcinków
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Manage episode 352337117 series 3303733
Treść dostarczona przez Screen Slate. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Screen Slate lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Five years ago Kyle Edward Ball started making short horror videos inspired by people’s nightmares and posting them on YouTube. His debut feature Skinamarink—shot for just $15,000 in his childhood home in Edmonton, Canada—was the breakout hit of last year’s Fantasia Film Festival, and came from out of nowhere to become one of the most anticipated upcoming horror films.
Ahead of the film’s theatrical release this Friday, Ball joined the Screen Slate pod over Zoom to talk about getting started as a filmmaking, finding his unique voice, the YouTube analog horror movement, straddling the line between narrative and dream logic, and his response to the film going viral before its release.
Links
Skinamarink trailer
Bitesized Nightmares
Heck (Skinamarink proof-of-concept short)
The Screen Slate Podcast is supported by its Patreon members. Sign up and get access to bonus episodes, our lockdown-era streaming series archives, discounts from partners like Criterion and Posteritati, event invitations, and more.
47 odcinków
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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…
continue reading
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…
continue reading
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…
continue reading
Comedian and actor Gilbert Gottfried, a man Stephen King once called “a national treasure,” talks with the show business legends, icons and behind-the-scenes talents who shaped his childhood and influenced his comedy. Along with co-host and fellow pop culture fanatic Frank Santopadre, Gilbert is joined by comics, actors, musicians, talk show hosts, writers and other eyewitnesses to Hollywood history, including Bruce Dern, Chevy Chase, “Weird Al” Yankovic, Adam West, Steve Buscemi, Micky Dole ...
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continue reading
Werewolf Ambulance is a horror movie comedy podcast. Allen and Katie watch horror movies from all eras and of all qualities and then discuss them in a not-so-academic way (just as the name "Werewolf Ambulance" might imply!) and then discuss and rate them. The episodes do contain spoilers, so please watch the films before listening if that bothers you!
…
continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
…
continue reading
The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
…
continue reading
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Player FM - aplikacja do podcastów
Przejdź do trybu offline z Player FM !
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