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Treść dostarczona przez Vincent Price's Laugh. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Vincent Price's Laugh lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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THE DESCENT

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Manage episode 203692427 series 2274970
Treść dostarczona przez Vincent Price's Laugh. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Vincent Price's Laugh lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

the_descent

What is more dreadful: absolute betrayal by one of your longtime closest friends, or facing insurmountable obstacles while confronting ferocious yet hidden feral humanoids at nearly every turn? What if you had to face both of these dreadful situations at the same time?!

The-Descent-Cast

2005’s The Descent features both of those dilemmas. A group of women – friends reunited after tragedy has struck one of them a year ago – embark on what seems like an ordinary spelunking adventure, one that’s supposed to be as therapeutic as it is fun. However, the ambition of one member of the group leads them off course, and that, listeners, is where the monsters come in. We watch as these women endure violence, filth, darkness, claustrophobia, and all-around terror as they fight their way out of the uncharted cave tunnels.

The-Descent-Sarah

What we really like about The Descent is that it isn’t your average “strong female characters” film. The characters are indeed strong, but they are presented in an organic way – the audience is shown they are strong, rather than told they are strong. The women are real, and thus real to each other. Frankly, the story design and character development in The Descent should be standard reference in how to write modern women: start with a strong character first, then decide she’s a woman.

Check out our full review in the podcast below! In this episode, we also explore the possibility of mutant/feral humans, leading us to a segment on the infamous Fugate family – otherwise known as “The Blue People of Kentucky.”

The post THE DESCENT by Elbee Bargeron appeared first on Ouch My Ego! - Music, Art, & Culture Blog of the Rio Grande Valley.

  continue reading

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Artwork

THE DESCENT

Vincent Price's Laugh

published

iconUdostępnij
 
Manage episode 203692427 series 2274970
Treść dostarczona przez Vincent Price's Laugh. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Vincent Price's Laugh lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

the_descent

What is more dreadful: absolute betrayal by one of your longtime closest friends, or facing insurmountable obstacles while confronting ferocious yet hidden feral humanoids at nearly every turn? What if you had to face both of these dreadful situations at the same time?!

The-Descent-Cast

2005’s The Descent features both of those dilemmas. A group of women – friends reunited after tragedy has struck one of them a year ago – embark on what seems like an ordinary spelunking adventure, one that’s supposed to be as therapeutic as it is fun. However, the ambition of one member of the group leads them off course, and that, listeners, is where the monsters come in. We watch as these women endure violence, filth, darkness, claustrophobia, and all-around terror as they fight their way out of the uncharted cave tunnels.

The-Descent-Sarah

What we really like about The Descent is that it isn’t your average “strong female characters” film. The characters are indeed strong, but they are presented in an organic way – the audience is shown they are strong, rather than told they are strong. The women are real, and thus real to each other. Frankly, the story design and character development in The Descent should be standard reference in how to write modern women: start with a strong character first, then decide she’s a woman.

Check out our full review in the podcast below! In this episode, we also explore the possibility of mutant/feral humans, leading us to a segment on the infamous Fugate family – otherwise known as “The Blue People of Kentucky.”

The post THE DESCENT by Elbee Bargeron appeared first on Ouch My Ego! - Music, Art, & Culture Blog of the Rio Grande Valley.

  continue reading

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