In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez LENS ME YOUR EARS. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez LENS ME YOUR EARS lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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A Little Song, A Little Dance - The return of the movie musical
Manage episode 314457893 series 2313981
Treść dostarczona przez LENS ME YOUR EARS. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez LENS ME YOUR EARS lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
This week, Carsten & Stephen take a look at the return of the movie musical, with three new productions on the big and small screens starting with Steven Spielberg's highly anticipated remake of the Broadway and Hollywood classic West Side Story, plus modern musical maestro Lin-Manuel Miranda makes his directorial debut with his adaptation of Jonathan "Rent" Larson's tick, tick...BOOM! and sees his pre-Hamilton success In the Heights make it to the big screen earlier this year. There's also a look at the original West Side Story, the 2005 adaptation of Larson's Rent and the work of the late Stephen Sondheim, who collaborated with Leonard Bernstein on West Side Story and was a huge influence on the musicals that followed.
Follow us on twitter: @Lensmeyourears and like us on Facebook!
Stephen's twitter:@NS_scooke
Carsten's twitter: @FlawInTheIris
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Manage episode 314457893 series 2313981
Treść dostarczona przez LENS ME YOUR EARS. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez LENS ME YOUR EARS lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
This week, Carsten & Stephen take a look at the return of the movie musical, with three new productions on the big and small screens starting with Steven Spielberg's highly anticipated remake of the Broadway and Hollywood classic West Side Story, plus modern musical maestro Lin-Manuel Miranda makes his directorial debut with his adaptation of Jonathan "Rent" Larson's tick, tick...BOOM! and sees his pre-Hamilton success In the Heights make it to the big screen earlier this year. There's also a look at the original West Side Story, the 2005 adaptation of Larson's Rent and the work of the late Stephen Sondheim, who collaborated with Leonard Bernstein on West Side Story and was a huge influence on the musicals that followed.
Follow us on twitter: @Lensmeyourears and like us on Facebook!
Stephen's twitter:@NS_scooke
Carsten's twitter: @FlawInTheIris
164 odcinków
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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Przejdź do trybu offline z Player FM !
Przejdź do trybu offline z Player FM !
