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Episode 72: Baptism of Solitude: Paul Bowles's Morocco Tapes

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Treść dostarczona przez The Organist and Andrew Leland. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Organist and Andrew Leland lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

The novelist and countercultural icon Paul Bowles -- author of The Sheltering Sky, friend to William Burroughs, Gertrude Stein, and Tennessee Williams, and husband of the brilliant writer Jane Bowles -- lived in Tangier from 1947 until his death fifty-two years later. In 1959, he received a grant from the Library of Congress to “preserve†the music of Morocco. He set off in a VW bug (with his two driving companions, a Moroccan and a Canadian), laden with a massive Ampex tape recorder, bottles of hot Pepsi, and a pound of hashish. These remarkable recordings have long been unavailable, but last year, the label Dust-to-Digital released them as a deluxe box set. The Organist asked the writer Brian Edwards to listen to the tapes, and to tell Bowles’s remarkable story. Brian went through hours of recordings dozens of times, and sent back this report, which raises important questions about the problems— artistic, technical, and of course ethical — of recording a music you love in a country that’s not your own.

Produced by Myke Dodge Weiskopf Written by Brian T. Edwards Â

Bowles Marakesh — Credit: Courtesy Allen Ginsberg Estate / Dust-to-Digital

Bowles-older — Credit: Courtesy Irene Herrmann / Dust-to-Digital

Paul Bowles on street-Tangier, June 1955 — Credit: Courtesy Dust-to-Digital

Line of singers w Qraqab cymbals 1 drum — Credit: Courtesy Dust-to-Digital / Library of Congress

Double horn group by building — Credit: Courtesy Dust-to-Digital / Library of Congress

Musicians in front-men with guns behind — Credit: Courtesy Dust-to-Digital / Library of Congress

Foothills-figure by fortress — Credit: Courtesy Dust-to-Digital / Library of CongressÂ

VW bug along mtn road with small group — Credit: Courtesy Dust-to-Digital / Library of Congress

Bowles squatting by wall

Loc-Map — hand-drawn map by Paul Bowles, showing his itinerary through Morocco in 1959, aboard a VW Beetle, filled with recording equipment, supplies, and recording team — Credit: Courtesy Dust-to-Digital / Library of Congress

Bowles against tapestry — Credit: Courtesy Dust-to-Digital

Tangier Group (burroughs, bowles, ginsberg) — Credit: Courtesy Allen Ginsberg Estate / Dust-to-Digital

Sand village and palm trees — Credit: Courtesy Dust-to-Digital

Music in this episode is from Music of Morocco: Recorded by Paul Bowles, 1959.Â

The Organist’s theme music is by Barry London of Oneida.

  continue reading

102 odcinków

Artwork
iconUdostępnij
 
Manage episode 212473152 series 2395589
Treść dostarczona przez The Organist and Andrew Leland. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Organist and Andrew Leland lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

The novelist and countercultural icon Paul Bowles -- author of The Sheltering Sky, friend to William Burroughs, Gertrude Stein, and Tennessee Williams, and husband of the brilliant writer Jane Bowles -- lived in Tangier from 1947 until his death fifty-two years later. In 1959, he received a grant from the Library of Congress to “preserve†the music of Morocco. He set off in a VW bug (with his two driving companions, a Moroccan and a Canadian), laden with a massive Ampex tape recorder, bottles of hot Pepsi, and a pound of hashish. These remarkable recordings have long been unavailable, but last year, the label Dust-to-Digital released them as a deluxe box set. The Organist asked the writer Brian Edwards to listen to the tapes, and to tell Bowles’s remarkable story. Brian went through hours of recordings dozens of times, and sent back this report, which raises important questions about the problems— artistic, technical, and of course ethical — of recording a music you love in a country that’s not your own.

Produced by Myke Dodge Weiskopf Written by Brian T. Edwards Â

Bowles Marakesh — Credit: Courtesy Allen Ginsberg Estate / Dust-to-Digital

Bowles-older — Credit: Courtesy Irene Herrmann / Dust-to-Digital

Paul Bowles on street-Tangier, June 1955 — Credit: Courtesy Dust-to-Digital

Line of singers w Qraqab cymbals 1 drum — Credit: Courtesy Dust-to-Digital / Library of Congress

Double horn group by building — Credit: Courtesy Dust-to-Digital / Library of Congress

Musicians in front-men with guns behind — Credit: Courtesy Dust-to-Digital / Library of Congress

Foothills-figure by fortress — Credit: Courtesy Dust-to-Digital / Library of CongressÂ

VW bug along mtn road with small group — Credit: Courtesy Dust-to-Digital / Library of Congress

Bowles squatting by wall

Loc-Map — hand-drawn map by Paul Bowles, showing his itinerary through Morocco in 1959, aboard a VW Beetle, filled with recording equipment, supplies, and recording team — Credit: Courtesy Dust-to-Digital / Library of Congress

Bowles against tapestry — Credit: Courtesy Dust-to-Digital

Tangier Group (burroughs, bowles, ginsberg) — Credit: Courtesy Allen Ginsberg Estate / Dust-to-Digital

Sand village and palm trees — Credit: Courtesy Dust-to-Digital

Music in this episode is from Music of Morocco: Recorded by Paul Bowles, 1959.Â

The Organist’s theme music is by Barry London of Oneida.

  continue reading

102 odcinków

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