In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez Sound Perspective. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Sound Perspective lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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33 - Elvis with Wayne Pashley and Elliott Wheeler
Manage episode 334891599 series 2509616
Treść dostarczona przez Sound Perspective. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Sound Perspective lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
In this episode I chat to sound supervisor Wayne Pashley and composer/music producer Elliott Wheeler about their work on the new Elvis biopic directed by Baz Luhrmann. I joined Wayne at his studio Big Bang Sound Design, and Elliott Skyped in from the US. We chatted about their history working with Baz Luhrmann, the intense collaboration between sound design and music necessary for a soundtrack this dense, the contextual news recordings that Wayne used as “sonic glue” and the joy of bringing Elvis’s music to a contemporary audience.
Check Wayne’s IMDB at https://www.imdb.com/name/nm0664563/
Elliott Wheeler at https://www.imdb.com/name/nm1395268/?ref_=nv_sr_srsg_0
Got feedback? Email me at contact@soundperspectivepodcast.com
Follow Sound Perspective on Facebook at https://www.facebook.com/soundperspectivepodcast/
Follow me on Instagram and Letterboxed at @alfiefaber
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Manage episode 334891599 series 2509616
Treść dostarczona przez Sound Perspective. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Sound Perspective lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
In this episode I chat to sound supervisor Wayne Pashley and composer/music producer Elliott Wheeler about their work on the new Elvis biopic directed by Baz Luhrmann. I joined Wayne at his studio Big Bang Sound Design, and Elliott Skyped in from the US. We chatted about their history working with Baz Luhrmann, the intense collaboration between sound design and music necessary for a soundtrack this dense, the contextual news recordings that Wayne used as “sonic glue” and the joy of bringing Elvis’s music to a contemporary audience.
Check Wayne’s IMDB at https://www.imdb.com/name/nm0664563/
Elliott Wheeler at https://www.imdb.com/name/nm1395268/?ref_=nv_sr_srsg_0
Got feedback? Email me at contact@soundperspectivepodcast.com
Follow Sound Perspective on Facebook at https://www.facebook.com/soundperspectivepodcast/
Follow me on Instagram and Letterboxed at @alfiefaber
40 odcinków
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Podobny do Sound Perspective
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
Since launching in 2000, All Songs Considered has been NPR's flagship program for music discovery, artist interviews and conversations with friends and fellow music lovers about the really big questions, like what was the best decade for music, are there albums everyone can agree on, and what do you put on when you need a good cry? Weekly, with host Robin Hilton and the NPR Music family.
…
continue reading
Your favourite rock & metal podcast bringing you all the latest news, opinions, honest reviews and laughs every Friday. 100% passion, 100% honesty, 100% of the time. Join us. @notmetalpod on Twitter & Instagram. Come join the discussion with a likeminded community of music fans on the That's Not Metal Facebook Focus Group www.facebook.com/groups/TNMFocus/.
…
continue reading
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
…
continue reading
In this intensely divided moment, one of the few things everyone still seems to agree on is Dolly Parton—but why? That simple question leads to a deeply personal, historical, and musical rethinking of one of America’s great icons. Join us for a 9-episode journey into the Dollyverse. Hosted by Jad Abumrad. Produced and reported by Shima Oliaee. Dolly Parton’s America is a production from OSM Audio and WNYC Studios.
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…
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