EP65: Big Questions, K-Pop, and Pre-Internet Nostalgia
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Manage episode 413046218 series 3005408
Treść dostarczona przez Sam Pfeifle and Hannah Harlow. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Sam Pfeifle and Hannah Harlow lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Hannah has absconded to New York City, but no one will go to the Beatrix Potter exhibit with her. Such a shame. No matter! We're fired up about the Newburyport Literary Festival, and ready to talk books, starting with a recap of Leigh Bardugo's brand-new "The Familiar," which Sam has decided he likes quite a bit. Maybe not quite as much as both of us like "The Secret Commonwealth," but not everyone can be Philip Pullman. Dude is just unparalleled in his ability to ask giant questions (religion! fascism!) with effortless storytelling. Not sure Sam would say the same about Christine Ma-Kellams, whose debut novel, "The Band," is among the strangest books he's ever read and he's not quite sure what to make of it. If you at least know what we mean when we say "K-Pop," you might be into it. But Hannah is super into "I Cheerfully Refuse," the latest from Leif Enger and a novel that offers a bit of hope-punk future along with multiple sentence that just hit you right in the chest. Finally, we wrap with a look at John Le Carre's "Call for the Dead," which is a George Smiley novel, and Sam now knows that Smiley is, indeed, his greatest recurring character. If you haven't read a book from 1961 in a while, give it a shot. It's a good way to get influencer culture off the palate.
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