In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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#34 – Spartacus
Manage episode 248242091 series 1750562
Treść dostarczona przez Settling the Score. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Settling the Score lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
I am an episode about Spartacus! I’m an episode about Spartacus! There’s a lot for Jon and Andy to grapple with in Alex North’s score for this 1960 swords-and-sandals epic. Is this the “most composed” score ever? How much can it, should it, and does it add to the picture? And, would the podcast be improved by recording it in a bathtub?
68 odcinków
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Manage episode 248242091 series 1750562
Treść dostarczona przez Settling the Score. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Settling the Score lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
I am an episode about Spartacus! I’m an episode about Spartacus! There’s a lot for Jon and Andy to grapple with in Alex North’s score for this 1960 swords-and-sandals epic. Is this the “most composed” score ever? How much can it, should it, and does it add to the picture? And, would the podcast be improved by recording it in a bathtub?
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Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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