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Treść dostarczona przez Kourtney Smith & Elyse Sharp, Kourtney Smith, and Elyse Sharp. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Kourtney Smith & Elyse Sharp, Kourtney Smith, and Elyse Sharp lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Mini: Staging Violence in Shakespeare with Dr. Danielle Rosvally and Sydney Schwindt

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Manage episode 406191322 series 2972767
Treść dostarczona przez Kourtney Smith & Elyse Sharp, Kourtney Smith, and Elyse Sharp. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Kourtney Smith & Elyse Sharp, Kourtney Smith, and Elyse Sharp lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

In today's episode, we are joined by Dr. Danielle Rosvally and Sydney Schwindt to discuss how fight choreographers approach staging moments of violence in theatre, specifically in Shakespeare's plays. We will discuss how they collaborate with directors and actors to safely depict violence on stage, the state of the fight direction community, and how anyone can learn more about safe, consent-based practices for staging violence onstage.

Our guests:

Danielle Rosvally, Ph.D., is an assistant professor of theatre at the University at Buffalo where she serves as resident violence coordinator. She is a fight director, actor, dramaturge, and director. Danielle has been crafting and performing staged violence for over twenty years, and has written about fight direction for venues such as Theatre Topics, Fight Master Magazine, and various edited collections. As a researcher, Danielle specializes in Shakespeare; her book on on Shakespeare as an economic value comes out with the State University of New York press in July.

Sydney Schwindt wears many hats in the theatre world; she is an actor, director, fight director, and educator. She is a resident artist with the San Francisco Shakespeare Festival and works frequently with SPARC Theatre. She is an advanced actor combatant with the Society of American Fight Directors and is on the advisory board for the Same Boat Theatre Collective. She has taught movement and stage combat at Indiana University and the American Conservatory Theatre’s Graduate program.

Sydney directed “As You Like It” with San Francisco Shakespeare Festival’s Shakespeare on Tour. It is running from now until mid May 2024 all across California. Check the websites for a public performance near you! www.sfshakes.org

She will be directing “Twelfth Night” with the Starling Shakespeare Company this summer. The show runs in rep with “Henry IV, Part 1” from June until September, 2024.

Learn more about Fight Direction:

Society of American Fight Directors

The British Academy of Stage and Screen Combat

British Academy of Dramatic Combat

Fight Directors Canada

Danielle's HowlRound Article

Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.

Music is "Neverending Minute" by Sounds Like Sander.

Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com

You can support the podcast by becoming a patron at patreon.com/shakespeareanyone or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod

  continue reading

107 odcinków

Artwork
iconUdostępnij
 
Manage episode 406191322 series 2972767
Treść dostarczona przez Kourtney Smith & Elyse Sharp, Kourtney Smith, and Elyse Sharp. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Kourtney Smith & Elyse Sharp, Kourtney Smith, and Elyse Sharp lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

In today's episode, we are joined by Dr. Danielle Rosvally and Sydney Schwindt to discuss how fight choreographers approach staging moments of violence in theatre, specifically in Shakespeare's plays. We will discuss how they collaborate with directors and actors to safely depict violence on stage, the state of the fight direction community, and how anyone can learn more about safe, consent-based practices for staging violence onstage.

Our guests:

Danielle Rosvally, Ph.D., is an assistant professor of theatre at the University at Buffalo where she serves as resident violence coordinator. She is a fight director, actor, dramaturge, and director. Danielle has been crafting and performing staged violence for over twenty years, and has written about fight direction for venues such as Theatre Topics, Fight Master Magazine, and various edited collections. As a researcher, Danielle specializes in Shakespeare; her book on on Shakespeare as an economic value comes out with the State University of New York press in July.

Sydney Schwindt wears many hats in the theatre world; she is an actor, director, fight director, and educator. She is a resident artist with the San Francisco Shakespeare Festival and works frequently with SPARC Theatre. She is an advanced actor combatant with the Society of American Fight Directors and is on the advisory board for the Same Boat Theatre Collective. She has taught movement and stage combat at Indiana University and the American Conservatory Theatre’s Graduate program.

Sydney directed “As You Like It” with San Francisco Shakespeare Festival’s Shakespeare on Tour. It is running from now until mid May 2024 all across California. Check the websites for a public performance near you! www.sfshakes.org

She will be directing “Twelfth Night” with the Starling Shakespeare Company this summer. The show runs in rep with “Henry IV, Part 1” from June until September, 2024.

Learn more about Fight Direction:

Society of American Fight Directors

The British Academy of Stage and Screen Combat

British Academy of Dramatic Combat

Fight Directors Canada

Danielle's HowlRound Article

Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.

Music is "Neverending Minute" by Sounds Like Sander.

Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com

You can support the podcast by becoming a patron at patreon.com/shakespeareanyone or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod

  continue reading

107 odcinków

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