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Goya's Caprichos: #37 - Might not the pupil know more?
Manage episode 152931581 series 1075813
Treść dostarczona przez Amanda Helton and San Jose Museum of Art. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Amanda Helton and San Jose Museum of Art lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Video Tour for the San Jose Museum of Art's exhibition Goya's Caprichos: Dreams of Reason and Madness on view at SJMA January 26 - April 20, 2008. Download to your iPod via iTunes (search "SJMA") to supplement your visit or watch via YouTube to experience parts of the exhibition at home. Utilizing satire and a dark imagination, Spanish painter and printmaker Francisco Goya published Los Caprichos, a series of 80 etchings in 1799. Goya was stone deaf; therefore he relied on his keen observation to represent Spain during a period of social and economic hardship. Los Caprichos portrays goblins and aristocrats alike, enacting the excesses of the nobility and the corruption of the church. Goya's characters themselves exist somewhere between actuality and fantasy. In fact, in Spanish the term "capricho" means whim or an expression of the imagination. Goya used whimsy but also gross caricature to expose a nation rife with corruption and evil.
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