Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Treść dostarczona przez Tristellar Music. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Tristellar Music lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Episode 15 Game of Thrones v American Gods
Manage episode 262663366 series 2685294
Treść dostarczona przez Tristellar Music. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Tristellar Music lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
A titanic battle between two small screen blockbusters as we compare Ramin Djawadi’s score for Game of Thrones (2011-2019) and Brian Reitzell’s score for American Gods (2017 - ) Rounds for this month 1 – Main Themes 2 – Characters 3 – Songs 4 – Musical Story Telling 5 – Legacy Special Treats Tristan’s video essay on the Game of Throne main theme Excellent detailed analysis of Light of the Seven from ‘The Week’ (not Verve, or whatever I said in episode, which is not even a real publication) Spotify playlist of some of our favourite music from Game of Thrones and American Gods, including all the tracks we talk about in the episode To find out more, or leave us a message you can reach us at @tristellarmusic on your favourite social media (twitter, facebook and insta) or via our website - www.tristellarmusic.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/soundtrack-showdown/message
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Manage episode 262663366 series 2685294
Treść dostarczona przez Tristellar Music. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Tristellar Music lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
A titanic battle between two small screen blockbusters as we compare Ramin Djawadi’s score for Game of Thrones (2011-2019) and Brian Reitzell’s score for American Gods (2017 - ) Rounds for this month 1 – Main Themes 2 – Characters 3 – Songs 4 – Musical Story Telling 5 – Legacy Special Treats Tristan’s video essay on the Game of Throne main theme Excellent detailed analysis of Light of the Seven from ‘The Week’ (not Verve, or whatever I said in episode, which is not even a real publication) Spotify playlist of some of our favourite music from Game of Thrones and American Gods, including all the tracks we talk about in the episode To find out more, or leave us a message you can reach us at @tristellarmusic on your favourite social media (twitter, facebook and insta) or via our website - www.tristellarmusic.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/soundtrack-showdown/message
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32 odcinków
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Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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continue reading
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Przejdź do trybu offline z Player FM !
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