Artwork

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Karen Black

44:51
 
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Manage episode 436429366 series 1255162
Treść dostarczona przez Maria Stoljar. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Maria Stoljar lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Podcast listeners click here to view the works

Through layers of paint in varying translucency, Karen Black explores not only the physical nature of the female form but through her use of abstraction and considered use of colour she brings out another dimension – an emotional layer.

There is a strong sense of a spontaneous response in her paintings so you may be surprised to hear that reading and research play as much a role in her process as creating those drips and brushstrokes.

Karen talks with me in this episode about her fascination with recent research on frequencies and vibrations which occur in all matter. That interest informs her most recent body of work which will be on view in her upcoming solo show ‘alternative frequency’ at Ames Yavuz in Sydney.

Karen has been acclaimed with awards and residencies and her work is in the collections of many public institutions. She has been repeatedly shortlisted in the Archibald and Sulman prizes, among many others, and has work hanging in both those prize exhibitions in the Art Gallery of NSW this year. She has also been recognised for her ceramic work, two of which have been acquired by the National Gallery of Victoria.

In this podcast episode Karen talks with me about her childhood memories of art, how she came to painting, the story behind her current show and some interesting aspects of her process.

Links

‘Both of us’
oil on canvas
61 x 92 cm
Finalist Sir John Sulman Prize 2024
Source: AGNSW website

‘Head wind’ 2024,
oil on polyester, 183.3 x 153 cm
Image courtesy of the artist

‘Licking the rain’ 2017
oil on canvas
152.5 x 122 cm
Finalist Sir John Sulman Prize 2017
Source: AGNSW website

‘I Will Shade You from the World’
2022
Oil on canvas
213.6 x 198.5cm
Image courtesy of the artist

Vivian Vidulich
oil on polyester
183 x 152.5 cm
Finalist – Archibald Prize 2024
Source: AGNSW website

‘Crown legs arms’ 2016
earthenware, 23ct gold leaf
69.0 × 29.7 × 29.2 cm
Collection, National Gallery of Victoria

  continue reading

160 odcinków

Artwork

Karen Black

Talking with Painters

94 subscribers

published

iconUdostępnij
 
Manage episode 436429366 series 1255162
Treść dostarczona przez Maria Stoljar. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Maria Stoljar lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Podcast listeners click here to view the works

Through layers of paint in varying translucency, Karen Black explores not only the physical nature of the female form but through her use of abstraction and considered use of colour she brings out another dimension – an emotional layer.

There is a strong sense of a spontaneous response in her paintings so you may be surprised to hear that reading and research play as much a role in her process as creating those drips and brushstrokes.

Karen talks with me in this episode about her fascination with recent research on frequencies and vibrations which occur in all matter. That interest informs her most recent body of work which will be on view in her upcoming solo show ‘alternative frequency’ at Ames Yavuz in Sydney.

Karen has been acclaimed with awards and residencies and her work is in the collections of many public institutions. She has been repeatedly shortlisted in the Archibald and Sulman prizes, among many others, and has work hanging in both those prize exhibitions in the Art Gallery of NSW this year. She has also been recognised for her ceramic work, two of which have been acquired by the National Gallery of Victoria.

In this podcast episode Karen talks with me about her childhood memories of art, how she came to painting, the story behind her current show and some interesting aspects of her process.

Links

‘Both of us’
oil on canvas
61 x 92 cm
Finalist Sir John Sulman Prize 2024
Source: AGNSW website

‘Head wind’ 2024,
oil on polyester, 183.3 x 153 cm
Image courtesy of the artist

‘Licking the rain’ 2017
oil on canvas
152.5 x 122 cm
Finalist Sir John Sulman Prize 2017
Source: AGNSW website

‘I Will Shade You from the World’
2022
Oil on canvas
213.6 x 198.5cm
Image courtesy of the artist

Vivian Vidulich
oil on polyester
183 x 152.5 cm
Finalist – Archibald Prize 2024
Source: AGNSW website

‘Crown legs arms’ 2016
earthenware, 23ct gold leaf
69.0 × 29.7 × 29.2 cm
Collection, National Gallery of Victoria

  continue reading

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