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S04E11 #AI in the creative process with Ana Menendez
Manage episode 358585153 series 2988251
Treść dostarczona przez Jacek Kolasiński. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Jacek Kolasiński lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Meet Ana Menendez in this forward-looking conversation on AI and the impact on the creative process. We're talking the pros, cons and overall outcomes when using artificial intelligence in the era of digital disruption. "We do know that all technology is disruptive.."
Ana Menéndez has published four books of fiction: Adios, Happy Homeland!, The Last War, Loving Che and In Cuba I Was a German Shepherd, whose title story won a Pushcart Prize.
She has worked as a journalist in the United States and abroad, lastly as a prize-winning columnist for The Miami Herald. As a reporter, she wrote about Cuba, Haiti, Kashmir, Afghanistan and India. Her work has appeared in publications including Vogue, Bomb Magazine, The New York Times and Tin House and has been included in several anthologies, including The Norton Anthology of Latino Literature. She has a B.A. in English from Florida International University and an M.F.A. from New York University.
A former Fulbright Scholar in Egypt, she has also lived in India, Turkey and The Netherlands, where she designed a creative writing minor at Maastricht University. She is an associate professor with appointments in the WPHL and the department of English.
Source: Ana Menéndez | Wolfsonian Public Humanities Lab | Florida International University (fiu.edu)
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