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Treść dostarczona przez The B-Side: A Film Stage Podcast and The Film Stage. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The B-Side: A Film Stage Podcast and The Film Stage lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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<div class="span index">1</div> <span><a class="" data-remote="true" data-type="html" href="/series/threshold-1347809">Threshold</a></span>
Threshold is a Peabody Award-winning documentary podcast about our place in the natural world. Each season, we take listeners on a journey into the heart of a complex environmental story, asking how we got here and where we might be headed. In our latest season, Hark, we hand the mic over to our planet-mates and investigate what it means to truly listen to nonhuman voices—and the cost if we don't. With mounting social and ecological crises, what happens when we tune into the life all around us? Threshold is nonprofit, listener-supported, and independently produced.
The B-Side: A Film Stage Podcast explicit
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Treść dostarczona przez The B-Side: A Film Stage Podcast and The Film Stage. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The B-Side: A Film Stage Podcast and The Film Stage lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Welcome to The B-Side, a podcast for The Film Stage! Here we talk about movie stars and directors. Not the movies that made them famous, or kept them famous, but the ones they made in between. From box office fiascos, to interesting curios, and hidden gems, we examine the also-rans of Hollywood and beyond.
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Treść dostarczona przez The B-Side: A Film Stage Podcast and The Film Stage. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The B-Side: A Film Stage Podcast and The Film Stage lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Welcome to The B-Side, a podcast for The Film Stage! Here we talk about movie stars and directors. Not the movies that made them famous, or kept them famous, but the ones they made in between. From box office fiascos, to interesting curios, and hidden gems, we examine the also-rans of Hollywood and beyond.
…
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The B-Side: A Film Stage Podcast
1 Ep. 153 – In Conversation with: Julia Stiles 1:06:06
1:06:06
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1:06:06Welcome to The B-Side! Here we talk about movie stars and move directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Sometimes we are lucky enough to even speak with them about their work. And sometimes, they are both a movie star and a movie director. Today that’s Julia Stiles, director of Wish You Were Here, now in theaters and available digitally on February 4th. Our B-Sides today include O, The Business of Strangers, and It’s a Disaster. Stiles discusses the filmmakers she’s worked with in the past and how they influenced her decisions sitting in the director’s chair (the best ones “set a tone of calmness” she says), making friends on the South Carolina set of O, and becoming more intentional with the creative choices in her career (including auditioning for Silver Linings Playbook). We also chat about Wish You Were Here, her feature debut as a filmmaker. Stiles mentions guarding against the saccharine to tell “a mature love story.” There’s also considerable praise of lead actress Isabelle Fuhrman and her incredible range, as well as a story about calling filmmaker Doug Liman for sailing advice. Speaking of Liman, Dan and Conor take a moment to unpack Nicky Parsons from the Bourne franchise, the efforts(?) of Tony Gilroy, and a crucial line read in Ultimatum that adds so much depth to Stiles’ role. Finally, we cover how exactly Stiles got the great Vanessa Carlton and her partner John McCauley to do the score to her film. Early 2000s icons unite! And there is a brief, insightful conversation on why exactly Stiles chose to do all of those Shakespeare adaptations early on in her career. Be sure to give us a follow on social at @tfsbside.bsky.social. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.…
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The B-Side: A Film Stage Podcast
1 BONUS Ep. – Adrien Brody On "The Brutalist" 24:01
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24:01Giving the performance of his career as László Tóth, Adrien Brody is the magnificent center of Brady Corbet’s intimate yet sprawling epic The Brutalist. Emigrating from Hungary following the Holocaust to restart his architectural ambitions in America under the patronage of Harrison Lee Van Buren (Guy Pearce), Brody’s layered performance is one of passion, persistence, and pain. With the film now in limited release, We spoke with Brody, who returned to The B-Side to discuss the personal history that helped him prepare for his performance, how the film is a metaphor for artist-driven filmmaking, some of his most overlooked performances, and getting to act with Beyoncé.…
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The B-Side: A Film Stage Podcast
1 Ep. 152 – Al Pacino (feat. Mitchell Beaupre) 2:14:51
2:14:51
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2:14:51Happy Holidays from The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we discuss the incomparable Al Pacino with the returning Mitchell Beaupre! Our B-Sides today include Bobby Deerfield, Revolution, Frankie & Johnny, and Danny Collins. We discuss Pacino’s legacy (is he our greatest living actor?), his Oscar win for Scent of a Woman (what a silly plot that movie has!), and his deeply earnest autobiography Sonny Boy. We dish on what doesn’t work about Bobby Deerfield (for one, it’s too quiet), what does work about Revolution (hint: it’s the production design), how Michelle Pfeiffer was unfairly criticized for Frankie & Johnny, and why Danny Collins is much better than you think. Conor asks: Is Adam Sandler the new Pacino? Mitchell asks: Was Pacino’s smallness in Bobby Deerfield and its failure a primary reason he stayed big for so long? Dan asks: Hey Baby Doll, what’s going on? There’s a reflection on Dan’s problematic review of Jack & Jill from over thirteen years ago (yikes!), a tacit comparison between Pacino and Kenneth Branagh (whose recent King Lear production has been criticized, though we thoroughly enjoyed it), and a recollection of Jerry Weintraub helping Ellen Barkin with Ocean’s Thirteen. Be sure to give us a follow on social at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.…
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The B-Side: A Film Stage Podcast
1 BONUS Ep. – Guy Pearce on "The Brutalist" 18:34
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18:34A benefactor to Adrien Brody’s architect character László Tóth, the patronage of Guy Pearce’s wealthy Harrison Lee Van Buren eventually metastasizes into something far darker as Brady Corbet’s The Brutalist examines balances of power and privilege. Giving one of the best performances of his career, Pearce initially brings a boisterous levity before the film’s central partnership curdles. With the film now in limited release, we spoke with Pearce, who returned to The B-Side to discuss the insecurities and egoism at the heart of his character, the humor of the film, an overlooked performance you should seek out, his painful conversations with Adrien Brody about The Thin Red Line, and more.…
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The B-Side: A Film Stage Podcast
1 BONUS Ep. – Alessandro Nivola on "The Brutalist" 24:44
24:44
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24:44BONUS Ep. – Alessandro Nivola on "The Brutalist" by The Film Stage
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The B-Side: A Film Stage Podcast
1 Ep. 151 – Jack Lemmon (feat. Mitchell Beaupre) 1:57:35
1:57:35
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1:57:35Happy Holidays from The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we discuss the great Jack Lemmon with the great Mitchell Beaupre! Our B-Sides today include Cowboy, The April Fools, Tribute, and Out to Sea. There’s also a lengthy appreciation of Save the Tiger, which won Lemmon his second Oscar. The three of us try to define how exactly Lemmon so perfectly encapsulated the average, American male for so many decades, while digging into his long career, that includes both filmmaker Billy Wilder and Walter Matthau. We discuss how Cowboy was ahead of its time, how The April Fools skates by on immense, charming chemistry, and how Tribute falters due to a stunted co-lead (sorry Robby Benson!). There’s a lot in this episode. A true holiday gift! We appreciate the great film critic Janet Maslin. We recount that time when Ving Rhames won a Golden Globe and called Lemmon on stage to gift him the award out of respect. There’s a brief reflection on the strange career of Tribute director Bob Clark, a discovery that our greatest living cinematographer lensed 80 for Brady, and an appropriate acknowledgement that Dyan Cannon, co-star of Out to Sea, makes every film better. Be sure to give us a follow on social at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.…
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The B-Side: A Film Stage Podcast
1 Ep. 150 – Ridley Scott (feat. Maria Lewis) 2:30:40
2:30:40
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2:30:40Happy Thanksgiving from The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today, for our 150th(!) episode, we are thankful for Ridley Scott! As Gladiator II reigns supreme at the box office, our B-Sides today include Legend, Matchstick Men, Exodus: Gods and Kings, and The Last Duel. Our esteemed guest Maria Lewis - “best-selling author, screenwriter, film curator and pop culture etymologist currently based in Australia - is back! Much is discussed over two-and-a-half glorious hours. Ridler’s pioneering Apple Ad; his recent breakneck pace as filmmaker; his movies being on Australian television constantly; and his production empire. Maria laments her experience watching Legend for the first time while Dan and Conor celebrate the film’s importance in their childhood. Ridley’s fascination with death comes up, as do the competing Christopher Columbus film projects in 1992. There’s talk of his legacy and Ridley’s consideration of it. The “best intentions” of The Last Duel are discussed at length (name a woman!), as are the top-notch performances and the disappointing box office. Dan also fumbles over a tacit defense of G.I. Jane. It’s embarrassing! Be sure to give us a follow on social at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.…
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The B-Side: A Film Stage Podcast
1 Ep. 149 – Gwyneth Paltrow (feat. Cory Everett) 2:08:17
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2:08:17Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we gush (and hush) over Gwyneth Paltrow with our past, present, and future guest Cory Everett, creator of Cinephile: A Card Game and the ever-expanding My First Movie books! Our B-Sides today are: Flesh and Bone, Hard Eight, Hush, and Sliding Doors. The main focus revolves around her banner year of 1998. Paltrow had FIVE films released in ‘98, including Shakespeare in Love, which won her an Oscar. We talk about her superb SNL opening monologue from 1999 (and her cameo in Ben Affleck’s monologue the next year), her deep cultural resonance at the time (some credit her for bringing the color pink back into fashion), the films she made before and after Emma, and her waning movie star era after the year 2000. Of the nearly fifty films in which she has appeared, there have been precious few since 2010 that were not Marvel movies. There was, of course, Mortdecai. And, perhaps most famously, her lifestyle company Goop. There’s Hush’s infamous test screenings and wig-heavy reshoots (years later, Jessica Lange called the film “a piece of shit”), Sliding Doors’ haircuts and soundtrack, and Flesh and Bone’s slow-cooked, well-worn dramatics. Also mentioned is that amazing Patrick Doyle score for Great Expectations, The Film Stage’s Holiday Gift Guide, And then there’s Duets and Gwyneth’s hit cover song “Cruisin’” with Huey Lewis. Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.…
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The B-Side: A Film Stage Podcast
1 Ep. 148 – Vincent Price (feat. Gavin Mevius) 1:23:12
1:23:12
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1:23:12Happy Halloween from The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about one of the greats––Vincent Price! Our guest this episode––as with every Halloween episode––is Gavin Mevius, co-host of The Mixed Reviews Podcast of The Glitterjaw Queer Podcast Collective. Make sure you listen to their own comprehensive episode on Vincent Price as well! Our B-Sides today are: The Baron of Arizona, Champagne for Caesar, War-Gods of the Deep, and finally Cry of the Banshee. We talk about Price, his interesting life and family history, and the diversity of roles he took on, some reflected in the above B-Sides. Price’s Nic Cage-like professional prolific-ness and “respect for the dollar” comes up, as does the real-life Charles Van Doren quiz show scandal from the ‘50s (the basis for the masterful Robert Redford film Quiz Show). There’s mention of the growing respect of filmmaker Samuel Fuller over the years as well as an appreciation of the great Jacques Tourneur and a brief delve into underwater photography. We mention this insightful comedy observation from Tina Fey, this incredible Bill Hader impersonation (and this one), and Price’s iconic work as Ratigan in The Great Mouse Detective. Last but not least, we discuss Gavin’s upcoming, exciting The Q Division Podcast, A James Bond Movie Marathon. Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.…
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The B-Side: A Film Stage Podcast
1 Ep. 147 – Tim Burton (feat. Maria Lewis) 1:58:23
1:58:23
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1:58:23Happy Halloween from The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about Tim Burton! The man! The brand! The artist! The director! The lothario (complimentary)! The B-Sides today include Mars Attacks!, Sleepy Hollow, Planet of the Apes, and Frankenweenie. Our esteemed guest is Maria Lewis, “best-selling author, screenwriter, film curator and pop culture etymologist currently based in Australia.” As Beetlejuice Beetlejuice still rakes in money in theaters, we discuss Burton’s influence, whether or not he’s actually a good director (something Burton himself has questioned in the past), his best films and his worst films, his inspirations, and the love-and-hate relationship with Disney from the very beginning of his career. There is also the observation that most of Tim Burton’s films are some version of Alice in Wonderland. Including, ahem, Alice in Wonderland. Also discussed is Maria’s very cool podcast “The Phantom Never Dies,” about the superhero serial character The Phantom. Another important mention is Milicent Patrick, the woman who designed the creature from the Creature from the Black Lagoon film. And finally, we take the time to appreciate the incredibly underrated Australian film director Simon Wincer. Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.…
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The B-Side: A Film Stage Podcast
1 Ep. 146 – Barbra Streisand (feat. Chris Feil) 1:49:02
1:49:02
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1:49:02Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today is Barbra Streisand day! And what a day it is. Just one day after Babs herself announced the start to production of her approved documentary film, in which she plans to unveil the creative contents of her quite famous vault, we here at The B-Side tackle some of the legend’s lesser-seen films. They include The Owl and the Pussycat, Up the Sandbox, For Pete’s Sake, Nuts, and The Guilt Trip. Our guest on this long-in-the-making journey is Chris Feil, co-host of the incredible This Had Oscar Buzz podcast. We talk about the autobiography in all of its glory. We talk about Barbra’s early years, Barbra’s late years, her passion for design, her complicated history with movie directors, and her best albums. There’s also hefty discussion about A-side Yentl, and why it’s funnier and sexier than you remember. It’s also a masterpiece. There’s debate about how much The Guilt Trip ultimately worked, how exactly Barbra mastered playing a “regular person” by the time The Prince of Tides comes around, and how Nuts would’ve been better if Barbra had directed it. Additional highlights include mistaking Philip Bosco for Karl Malden, celebrating Richard Dreyfuss playing bothered to perfection, and Chris’ post-TIFF takes. Mike Leigh and Marianne Jean-Baptiste save us! And just to note, if you’re in NYC for NYFF62, come on out to one (or all!) of our four Cinephile Game Nights, on 9/28. 9/29, 9/30, and 10/8! You can win festival tickets among a bunch of other cool prizes. AND if you’re looking for more B-Side adjacent fun, we’re taking part in Vulture’s Movies Fantasy League: The Podcaster Division throughout awards season! You can join our min-league The Bsiders, or make a team of your own! Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.…
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The B-Side: A Film Stage Podcast
1 Ep. 145 – Kevin Costner: Part II (feat. Chadd Harbold) 2:18:46
2:18:46
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2:18:46Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we return to discuss a living legend with a big, new, ambitious project. Perhaps his most ambitious project yet! Our subject is Kevin Costner, the great American filmmaker whose new film Horizon: An American Saga – Chapter 1 is now available to rent or buy on VOD. Sadly, Horizon: An American Saga - Chapter 2 has been postponed to a later time in order to allow for a wider audience to discover Chapter 1. Our B-Sides this time around include No Way Out, Revenge, The Upside of Anger, and Let Him Go. Filmmaker Chadd Harbold joins us. His new film Crumb Catcher, directed by Chris Skotchdopole and produced by Harbold, is now in theaters. We discuss Costner’s origin story, his brilliance at self-mythology, his humble egotism, and the incredible run of success from 1987 through 1992. There’s the story of how Costner wanted to direct Revenge but lost out thanks to producer Ray Stark. There’s Madonna’s infamous reaction to Costner’s use of the word “neat” after one of her shows in Madonna: Truth or Dare (“Anybody who says my show is neat has to go.” Also, watch Warren Beatty age in real time). There’s the incredible chemistry between Costner and Diane Lane in Let Him Go (and Man of Steel for that matter). Costner is a relic of another time. He represents an ambition that does not really exist anymore in Hollywood. Celebrated and criticized in equal measure over these past four decades, here is an artist still striving for individuality and greatness. Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.…
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The B-Side: A Film Stage Podcast
Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about the best Chris - Chris Pine of course! Our B-Sides include Small Town Saturday Night, People Like Us, The Finest Hours, Outlaw King, All The Old Knives, and Poolman. It’s a packed episode! And it’s just Conor and Dan, ripping it up like the old days. A lot of the conversation revolves around how charming Pine is. There’s also discussion of that underwhelming ending of The Finest Hours, what about Small Town Saturday Night resonates with young filmmakers, the brave opening of Outlaw King, the old-fashioned crackle of All The Old Knives (and that incredible restaurant location), and the lackluster direction of People Like Us. Questions are asked such as: Is there anything better than a tired spy? Who is the best Jack Ryan? Why does this Big Daddy clip feature the funniest ADR line in the history of cinema? Additional topics include Jordan and Dan’s fateful trip to see an early screening of Avatar in late 2009, the stark difference (despite career similarities) between Pine and Ryan Reynolds, the incredible show Psych, and this spot-on Bilge Ebiri article about the Argylle release and why it matters. Finally, Conor and Dan try to understand why people hate the very charming, very Los Angeles Poolman so much. Though there should’ve been more pool stuff in Poolman! One correction: Safe House came out 2012, not 2010. Sorry about that! Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.…
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The B-Side: A Film Stage Podcast
1 Ep. 143 – In Conversation with: Screenwriter Daniel Waters 1:00:33
1:00:33
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1:00:33Welcome to The B-Side, from The Film Stage. Here we talk about filmmakers! Not the films that made them famous or kept them famous, but the ones that they made in between. Today, as a sort of B-Side to our own recent Bruce Willis B-Side episode, Dan speaks to screenwriter Daniel Waters about Hudson Hawk! And much, much, much more! Daniel and Dan talk about the overnight success of Heathers getting made, the overnight failure of Hudson Hawk, followed by the complicated reaction to Batman Returns. Oh, and what about the three seashells in Demolition Man? They also discuss Renny Harlin and The Adventures of Ford Fairlane, that incredible Sandra Bullock performance, and his underseen directorial efforts (Happy Campers and Sex and Death 101). Questions asked and answered include: what happened to all of the individual style in screenplays? Why does everybody save the cat these days? Is there a reason there have been two different homages to Hudson Hawk in big 2024 blockbusters? Is writing a novel fun after spending three decades writing screenplays? Is Mark Waters’ best film really Freaky Friday? Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.…
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The B-Side: A Film Stage Podcast
1 Ep. 142 – Bruce Willis (feat. Jen Johans) 2:05:08
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2:05:08Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about Bruce Willis, one of our great American movie stars. A man with perfect angles and a perfectly imperfect hairline. The man who spoke up for Seagram’s Golden when nobody else would. It’s wet and it’s dry. Play that harmonica, Bruno! Our guest today is the great Jen Johans, host of the Watch With Jen podcast. Our B-Sides include In Country, Mortal Thoughts, Disney’s The Kid, and Richard Donner's final film, 16 Blocks. We discuss Willis’ early career, his propensity to try new things, and the sad and unfair dismissal of Hudson Hawk. We examine how his acting chops evolved throughout a very turbulent ‘90s decade, culminating in an incredible run of success birthed from a controversial, canceled movie called Broadway Brawler. There’s a lot of love for the underrated crime comedy Bandits, that song he did with June Pointer (seek out the album The Return of Bruno and the companion “documentary” if you get a few free minutes today), and the lovely Robert Benton picture Nobody’s Fool. And then there’s that opening car chase in Striking Distance. Incredible work there. Oh, and that cameo in The Player. And finally, in honor of our subject, please go to https://aphasia.org/ and donate if you are so inclined. Here’s to you Bruce, you’re one of one. Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.…
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