In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez Kevin Sparrow. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Kevin Sparrow lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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41 - The Most Thanksgiving Part of It All (The Texas Chain Saw Massacre [1974] with Emmy Colón-Geistlinger/We Are What We Are [2010])
Manage episode 348554019 series 2990351
Treść dostarczona przez Kevin Sparrow. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Kevin Sparrow lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
From man-eating plants to man-eating mans, this week we're exploring cannibalism in a feast for the senses. First, Emmy Colón-Geistlinger joins us to talk about why The Texas Chain Saw Massacre is the perfect Thanksgiving movie. Then, we make a recommendation for our double-meat double-feature, the 2010 Mexican film We Are What We Are.
Follow Emmy online at https://soyemmy.com, Instagram @la_soy_emmy,
and listen to The Violet Vulture wherever you get your podcasts.
Follow us on Twitter and Instagram @callsinsidepod
and our host Kevin Sparrow on Twitter @dirtydevlin
Referenced in the episode:
Chris Justice - Oil and a Dangerous South: Alternate Geopolitical Readings of “The Texas Chain Saw Massacre. Classic-Horror.com, 2010.
Jessica Scott - Written in the Stars: Astrology and Fatalism in Proto-Slashers. Manor Vellum, 2021.
53 odcinków
Udostępnij
Manage episode 348554019 series 2990351
Treść dostarczona przez Kevin Sparrow. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Kevin Sparrow lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
From man-eating plants to man-eating mans, this week we're exploring cannibalism in a feast for the senses. First, Emmy Colón-Geistlinger joins us to talk about why The Texas Chain Saw Massacre is the perfect Thanksgiving movie. Then, we make a recommendation for our double-meat double-feature, the 2010 Mexican film We Are What We Are.
Follow Emmy online at https://soyemmy.com, Instagram @la_soy_emmy,
and listen to The Violet Vulture wherever you get your podcasts.
Follow us on Twitter and Instagram @callsinsidepod
and our host Kevin Sparrow on Twitter @dirtydevlin
Referenced in the episode:
Chris Justice - Oil and a Dangerous South: Alternate Geopolitical Readings of “The Texas Chain Saw Massacre. Classic-Horror.com, 2010.
Jessica Scott - Written in the Stars: Astrology and Fatalism in Proto-Slashers. Manor Vellum, 2021.
53 odcinków
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continue reading
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continue reading
Matt Gourley and Matt Mira love James Bond so much they decided to make a podcast about it. Each episode they invite a guest to dive deep into one movie from the greatest film franchise known to man. The entire James Bonding catalogue is now being re-released for free, one week at a time, starting 10/5/22. We never left. Hosted on Acast. See acast.com/privacy for more information.
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