In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez The Director's Cut and Directors Guild of America. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Director's Cut and Directors Guild of America lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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I Am: Celine Dion with Irene Taylor and Ondi Timoner (Ep. 487)
Manage episode 436733106 series 2999163
Treść dostarczona przez The Director's Cut and Directors Guild of America. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Director's Cut and Directors Guild of America lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Director Irene Taylor discusses her new film, I Am: Celine Dion, with fellow Director Ondi Timoner in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses discovering the purpose of her film as she was making it, Celine’s effort to participate more in the making of the film and being deliberate about how much she wanted to explore Celine’s stardom alongside more sensitive topics in her home life. Screened as part of the DGA’s Documentary Series, the film tells the story of the Canadian singer’s past and present as well as the sacrifices she’s made to continue performing for her beloved fans, all while managing her life-altering illness. See photos and a summary of this event below: https://www.dga.org/Events/2024/Sept2024/DocSeries_IAMCelineDion-0824
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Manage episode 436733106 series 2999163
Treść dostarczona przez The Director's Cut and Directors Guild of America. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Director's Cut and Directors Guild of America lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Director Irene Taylor discusses her new film, I Am: Celine Dion, with fellow Director Ondi Timoner in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses discovering the purpose of her film as she was making it, Celine’s effort to participate more in the making of the film and being deliberate about how much she wanted to explore Celine’s stardom alongside more sensitive topics in her home life. Screened as part of the DGA’s Documentary Series, the film tells the story of the Canadian singer’s past and present as well as the sacrifices she’s made to continue performing for her beloved fans, all while managing her life-altering illness. See photos and a summary of this event below: https://www.dga.org/Events/2024/Sept2024/DocSeries_IAMCelineDion-0824
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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If you're like Matt Gourley (Superego, Drunk History, Conan O'Brien Needs A Friend), then you know all the classic movie and television scenes so well it's like you were in the room when they happened. Well, you weren't. And neither was he. But the people Matt interviews were! Listen in as they tell the inside stories of how cinema and television history was made from a fly-on-the-wall perspective you've never heard. Hosted on Acast. See acast.com/privacy for more information.
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