In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Wicked with Jon M. Chu and Shawn Levy (Ep. 503)
Manage episode 451524156 series 2999163
Treść dostarczona przez Directors Guild of America. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Directors Guild of America lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Director Jon M. Chu discusses his new film, Wicked, with fellow Director Shawn Levy in a Q&A at the DGA theater in New York. In the conversation, he discusses his process of conceptualizing the musical sequences in conjunction with the stunt work behind them, conceptualizing his vision for Oz and the kinds of sets for his film, recording almost all of the musical sequences live and authentically on-set. Based on the Tony Award-winning musical, the film is set years before Dorothy's arrival in Oz and follows the unlikely college-days friendship between popular girl Glinda and the misunderstood Elphaba. As their lives begin to take very different paths, an encounter with the famous Wizard of Oz puts their relationship at a crossroads. See photos and a summary of this event below: https://dga.org/Events/2025/January2025/Wicked_QnA_1124
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Manage episode 451524156 series 2999163
Treść dostarczona przez Directors Guild of America. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Directors Guild of America lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Director Jon M. Chu discusses his new film, Wicked, with fellow Director Shawn Levy in a Q&A at the DGA theater in New York. In the conversation, he discusses his process of conceptualizing the musical sequences in conjunction with the stunt work behind them, conceptualizing his vision for Oz and the kinds of sets for his film, recording almost all of the musical sequences live and authentically on-set. Based on the Tony Award-winning musical, the film is set years before Dorothy's arrival in Oz and follows the unlikely college-days friendship between popular girl Glinda and the misunderstood Elphaba. As their lives begin to take very different paths, an encounter with the famous Wizard of Oz puts their relationship at a crossroads. See photos and a summary of this event below: https://dga.org/Events/2025/January2025/Wicked_QnA_1124
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Podobny do The Director’s Cut - A DGA Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
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continue reading
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…
continue reading
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continue reading
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