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Treść dostarczona przez Wes Walker and Nick Zervas, Wes Walker, and Nick Zervas. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Wes Walker and Nick Zervas, Wes Walker, and Nick Zervas lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Friday by Rebecca Black (2011) - Wayback Wednesdays

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Manage episode 403638546 series 2980467
Treść dostarczona przez Wes Walker and Nick Zervas, Wes Walker, and Nick Zervas. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Wes Walker and Nick Zervas, Wes Walker, and Nick Zervas lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Wes and Nick tackle a song that everyone remembers and tries to forget. Well surprise here it is again.
Background:
Friday co-writer Patrice Wilson, a co-founder of ARK Music Factory, explained that he "wrote the lyrics on a Thursday night going into a Friday. I was writing different songs all night and was like, 'Wow, I've been up a long time and it's Friday.' And I was like, wow, it is Friday!"
[14][15]

An ARK Music Factory client told Black's mother about the company's production services in late 2010; Black was 13 at the time, and living in the Anaheim Hills planned community in Anaheim, California.[16][17] Black's mother, Georgina Kelly, paid ARK Music $4,000 for a song and accompanying video that included a choice of two pre-written songs "Super Woman" and "Friday". According to Kelly, the payment covered one half or less of the production costs of the music video, and Black's family could have paid nothing in exchange for giving up all rights to the song.[16][18] Black chose "Friday", as "Super Woman" "was about adult love–I haven't experienced that yet". "I felt like it was my personality in that song".[19][20] ARK Music extensively used the pitch-correcting software Auto-Tune.[21] Although Kelly had some doubts over the quality of the lyrics, Black assured her that "she sang it as they wrote it."[17]

Support the show:
🎤 Go to listen to the audio podcast on your favorite platform: https://dumbcoolweirdpodcast.buzzsprout.com/share
🌐 To see more stuff, buy some merch, or support us go to https://www.retroradfilms.com/dumbcoolweirdpodcast
😀 Facebook: https://www.facebook.com/retroradfilms/
📷 Instagram: https://www.instagram.com/retroradfilms/
🐦 Twitter: https://twitter.com/retroradfilms
🌴 Links: https://linktr.ee/retroradfilms

  continue reading

54 odcinków

Artwork
iconUdostępnij
 
Manage episode 403638546 series 2980467
Treść dostarczona przez Wes Walker and Nick Zervas, Wes Walker, and Nick Zervas. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Wes Walker and Nick Zervas, Wes Walker, and Nick Zervas lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Wes and Nick tackle a song that everyone remembers and tries to forget. Well surprise here it is again.
Background:
Friday co-writer Patrice Wilson, a co-founder of ARK Music Factory, explained that he "wrote the lyrics on a Thursday night going into a Friday. I was writing different songs all night and was like, 'Wow, I've been up a long time and it's Friday.' And I was like, wow, it is Friday!"
[14][15]

An ARK Music Factory client told Black's mother about the company's production services in late 2010; Black was 13 at the time, and living in the Anaheim Hills planned community in Anaheim, California.[16][17] Black's mother, Georgina Kelly, paid ARK Music $4,000 for a song and accompanying video that included a choice of two pre-written songs "Super Woman" and "Friday". According to Kelly, the payment covered one half or less of the production costs of the music video, and Black's family could have paid nothing in exchange for giving up all rights to the song.[16][18] Black chose "Friday", as "Super Woman" "was about adult love–I haven't experienced that yet". "I felt like it was my personality in that song".[19][20] ARK Music extensively used the pitch-correcting software Auto-Tune.[21] Although Kelly had some doubts over the quality of the lyrics, Black assured her that "she sang it as they wrote it."[17]

Support the show:
🎤 Go to listen to the audio podcast on your favorite platform: https://dumbcoolweirdpodcast.buzzsprout.com/share
🌐 To see more stuff, buy some merch, or support us go to https://www.retroradfilms.com/dumbcoolweirdpodcast
😀 Facebook: https://www.facebook.com/retroradfilms/
📷 Instagram: https://www.instagram.com/retroradfilms/
🐦 Twitter: https://twitter.com/retroradfilms
🌴 Links: https://linktr.ee/retroradfilms

  continue reading

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