In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez Derek Sotak and The Horror of Nachos. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Derek Sotak and The Horror of Nachos lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Episode 312 - The Last Broadcast (1998)
Manage episode 379471836 series 2917251
Treść dostarczona przez Derek Sotak and The Horror of Nachos. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Derek Sotak and The Horror of Nachos lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
While certainly not an Armageddon/Deep Impact situation, 1998’s ‘The Last Broadcast’ is often lumped in, unfairly, as the mirror to The Blair Witch Project. This is much to its loss as it is certainly no Blair Witch, but also because it has a completely different flavor of “found footage” in its inclusion of cable access shows, MIRC logs, and true crime talking heads. That’s right folks, MIRC logs, we’re heading back to the mid-90’s!
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Manage episode 379471836 series 2917251
Treść dostarczona przez Derek Sotak and The Horror of Nachos. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Derek Sotak and The Horror of Nachos lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
While certainly not an Armageddon/Deep Impact situation, 1998’s ‘The Last Broadcast’ is often lumped in, unfairly, as the mirror to The Blair Witch Project. This is much to its loss as it is certainly no Blair Witch, but also because it has a completely different flavor of “found footage” in its inclusion of cable access shows, MIRC logs, and true crime talking heads. That’s right folks, MIRC logs, we’re heading back to the mid-90’s!
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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