Artwork

Treść dostarczona przez The Industry Misfit. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Industry Misfit lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Player FM - aplikacja do podcastów
Przejdź do trybu offline z Player FM !

“In My Lifetime” The Industry Misfit Ep. 8 W/SG filmmaker Abdul Malik Abbott (“Streets Is Watching”, “State Property”)

1:25:39
 
Udostępnij
 

Manage episode 311378899 series 3115565
Treść dostarczona przez The Industry Misfit. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Industry Misfit lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

This episode we were blessed with the opportunity to sit down with filmmaker Abdul Malik Abbott who has directed some of the most legendary pieces in Hip-Hop history. He was very instrumental in creating the “Big Willie” persona in the early days of Roc-a-fella Records and Jay-Z’s career. He directed such classics as “I can’t Get With That” which happens to be Jay-Z’s first solo video. “In My Lifetime” the original and remix ,“Dead President’s”, “Ain’t No”, “Streets Is Watching” the unique visual soundtrack and “State Property” the notable feature film just to name a few.

We Discuss:

· His start in film which led to being on the crew of Spike Lee’s “Do The Right Thing” and “Mo Better Blues”

· Big break in videos with Jive Records and legendary Jazz vocalist Abbey Lincoln

· Working with a group named “Original Flavor” who were managed by Damon Dash, which eventually led to long working relationship with Roc-a-fella Records

· Being instrumental in the process to creating the artistic image of Jay-Z

· How the legendary Monopoly scene in the “Dead President’s” video came about

· The difference between Damon Dash, Jay-Z and Kareem “Biggs” Burke

· Having nearly 30 years in the business and staying afloat

· What video projects were his favorite to work on

· Favorite aspect of filmmaking to work on

· Difference between the industry today and in the past

· The one thing in the past that he passed up on that he would reconsider doing in hindsight

· The new black renaissance in the film industry

· Advice for young creatives trying to break into the industry

· Getting involved in the music industry with his company Blue Music Productions and B.O.S.S.

Check out the full interview on all of the major Podcast streaming sites. Please subscribe, rate and comment. You are greatly appreciated.

He also runs his own music production company @BlueMusicProductions … be sure to give him a follow on social media @DjAbbyAb

As always you can find me @RebelRamon or @Moderngeniustv

If you would like to donate to the podcast:

https://www.patreon.com/Moderngeniustv

https://www.paypal.me/ramonbrandon

Cash App $Moderngeniustv

--- Support this podcast: https://podcasters.spotify.com/pod/show/TheIndustryMisfit/support
  continue reading

12 odcinków

Artwork
iconUdostępnij
 
Manage episode 311378899 series 3115565
Treść dostarczona przez The Industry Misfit. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Industry Misfit lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

This episode we were blessed with the opportunity to sit down with filmmaker Abdul Malik Abbott who has directed some of the most legendary pieces in Hip-Hop history. He was very instrumental in creating the “Big Willie” persona in the early days of Roc-a-fella Records and Jay-Z’s career. He directed such classics as “I can’t Get With That” which happens to be Jay-Z’s first solo video. “In My Lifetime” the original and remix ,“Dead President’s”, “Ain’t No”, “Streets Is Watching” the unique visual soundtrack and “State Property” the notable feature film just to name a few.

We Discuss:

· His start in film which led to being on the crew of Spike Lee’s “Do The Right Thing” and “Mo Better Blues”

· Big break in videos with Jive Records and legendary Jazz vocalist Abbey Lincoln

· Working with a group named “Original Flavor” who were managed by Damon Dash, which eventually led to long working relationship with Roc-a-fella Records

· Being instrumental in the process to creating the artistic image of Jay-Z

· How the legendary Monopoly scene in the “Dead President’s” video came about

· The difference between Damon Dash, Jay-Z and Kareem “Biggs” Burke

· Having nearly 30 years in the business and staying afloat

· What video projects were his favorite to work on

· Favorite aspect of filmmaking to work on

· Difference between the industry today and in the past

· The one thing in the past that he passed up on that he would reconsider doing in hindsight

· The new black renaissance in the film industry

· Advice for young creatives trying to break into the industry

· Getting involved in the music industry with his company Blue Music Productions and B.O.S.S.

Check out the full interview on all of the major Podcast streaming sites. Please subscribe, rate and comment. You are greatly appreciated.

He also runs his own music production company @BlueMusicProductions … be sure to give him a follow on social media @DjAbbyAb

As always you can find me @RebelRamon or @Moderngeniustv

If you would like to donate to the podcast:

https://www.patreon.com/Moderngeniustv

https://www.paypal.me/ramonbrandon

Cash App $Moderngeniustv

--- Support this podcast: https://podcasters.spotify.com/pod/show/TheIndustryMisfit/support
  continue reading

12 odcinków

Wszystkie odcinki

×
 
Loading …

Zapraszamy w Player FM

Odtwarzacz FM skanuje sieć w poszukiwaniu wysokiej jakości podcastów, abyś mógł się nią cieszyć już teraz. To najlepsza aplikacja do podcastów, działająca na Androidzie, iPhonie i Internecie. Zarejestruj się, aby zsynchronizować subskrypcje na różnych urządzeniach.

 

Skrócona instrukcja obsługi