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Treść dostarczona przez Matty Dalrymple, The Indy Author, Matty Dalrymple, and The Indy Author. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Matty Dalrymple, The Indy Author, Matty Dalrymple, and The Indy Author lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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What Authors Should Not Learn from Movies with Rene Gutteridge - #268

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Manage episode 455983478 series 2668152
Treść dostarczona przez Matty Dalrymple, The Indy Author, Matty Dalrymple, and The Indy Author. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Matty Dalrymple, The Indy Author, Matty Dalrymple, and The Indy Author lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Matty Dalrymple talks with Rene Gutteridge about WHAT AUTHORS SHOULD NOT LEARN FROM MOVIES, including how crucial point of view and inner monologue are in novel writing compared to the visual storytelling required in movies; how writers can mistakenly adopt a “director's” approach, leading to overly descriptive and less engaging prose; and delve the science behind the different brain functions of hobbyist writers versus professional authors. We touch on how conciseness in movies contrasts with the depth needed in novels, using examples like Dennis Lehane’s MYSTIC RIVER, and discuss practical strategies for maintaining engaging pacing in fiction without losing substance.

Interview video at https://bit.ly/TIAPYTPlaylist

Show notes at https://www.theindyauthor.com/podcast.html

If you find the information in this video useful, please consider supporting The Indy Author!

https://www.patreon.com/theindyauthor

https://www.buymeacoffee.com/mattydalrymple

Rene Gutteridge is the multi-genre author of 24 novels plus several non-fiction titles. Her indie film SKID won deadCenter’s Best Oklahoma Feature in 2015, and her novel MY LIFE AS A DOORMAT was adapted into the Hallmark movie LOVE’S COMPLICATED. She is co-writer on the feature film FAMILY CAMP, a Movieguide award winner and a Dove Award nominee for 2023. She is also a Screencraft finalist in true crime. Rene is co-director of WriterCon in Oklahoma City, senior contributor at Writing Momentum, and the head writer at Skit Guys Studios.

Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she’s learned on THE INDY AUTHOR PODCAST. She has written books on the business of short fiction and podcasting for authors; her articles have appeared in "Writer’s Digest" magazine. She serves as the Campaign

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269 odcinków

Artwork
iconUdostępnij
 
Manage episode 455983478 series 2668152
Treść dostarczona przez Matty Dalrymple, The Indy Author, Matty Dalrymple, and The Indy Author. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Matty Dalrymple, The Indy Author, Matty Dalrymple, and The Indy Author lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Matty Dalrymple talks with Rene Gutteridge about WHAT AUTHORS SHOULD NOT LEARN FROM MOVIES, including how crucial point of view and inner monologue are in novel writing compared to the visual storytelling required in movies; how writers can mistakenly adopt a “director's” approach, leading to overly descriptive and less engaging prose; and delve the science behind the different brain functions of hobbyist writers versus professional authors. We touch on how conciseness in movies contrasts with the depth needed in novels, using examples like Dennis Lehane’s MYSTIC RIVER, and discuss practical strategies for maintaining engaging pacing in fiction without losing substance.

Interview video at https://bit.ly/TIAPYTPlaylist

Show notes at https://www.theindyauthor.com/podcast.html

If you find the information in this video useful, please consider supporting The Indy Author!

https://www.patreon.com/theindyauthor

https://www.buymeacoffee.com/mattydalrymple

Rene Gutteridge is the multi-genre author of 24 novels plus several non-fiction titles. Her indie film SKID won deadCenter’s Best Oklahoma Feature in 2015, and her novel MY LIFE AS A DOORMAT was adapted into the Hallmark movie LOVE’S COMPLICATED. She is co-writer on the feature film FAMILY CAMP, a Movieguide award winner and a Dove Award nominee for 2023. She is also a Screencraft finalist in true crime. Rene is co-director of WriterCon in Oklahoma City, senior contributor at Writing Momentum, and the head writer at Skit Guys Studios.

Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she’s learned on THE INDY AUTHOR PODCAST. She has written books on the business of short fiction and podcasting for authors; her articles have appeared in "Writer’s Digest" magazine. She serves as the Campaign

  continue reading

269 odcinków

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