In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez The Last Thing I Saw and Nicolas Rapold. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Last Thing I Saw and Nicolas Rapold lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Ep. 239: Bertrand Bonello on The Beast, Experimenting with AI, Making Melodrama, Reading Henry James
Manage episode 415409452 series 2792919
Treść dostarczona przez The Last Thing I Saw and Nicolas Rapold. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Last Thing I Saw and Nicolas Rapold lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Ep. 239: Bertrand Bonello on The Beast, Experimenting with AI, Crafting Melodrama, Reading Henry James, and more Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Bertrand Bonello’s latest film The Beast has been melting minds with its time-skipping saga of star-crossed lovers and strangers played by Léa Seydoux and George Mackay. Inspired by a Henry James story, The Beast spans three different time periods and pairings: a married woman and a suitor in the 1910s (Belle Époque), an actress and a madman in 2010’s California, and a woman facing a fateful choice in a not-too-distant future where artificial intelligence promises to remove individual trauma. I chatted with the restless French auteur (Nocturama, Saint Laurent) about the struggle for connection across these stories, being tempted by AI, directing Mackay and Seydoux, and more. The Beast is in theaters now, and Bonello’s previous feature, Coma, will have its first U.S. theatrical run on May 17. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
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Ep. 239: Bertrand Bonello on The Beast, Experimenting with AI, Making Melodrama, Reading Henry James
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Manage episode 415409452 series 2792919
Treść dostarczona przez The Last Thing I Saw and Nicolas Rapold. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Last Thing I Saw and Nicolas Rapold lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Ep. 239: Bertrand Bonello on The Beast, Experimenting with AI, Crafting Melodrama, Reading Henry James, and more Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Bertrand Bonello’s latest film The Beast has been melting minds with its time-skipping saga of star-crossed lovers and strangers played by Léa Seydoux and George Mackay. Inspired by a Henry James story, The Beast spans three different time periods and pairings: a married woman and a suitor in the 1910s (Belle Époque), an actress and a madman in 2010’s California, and a woman facing a fateful choice in a not-too-distant future where artificial intelligence promises to remove individual trauma. I chatted with the restless French auteur (Nocturama, Saint Laurent) about the struggle for connection across these stories, being tempted by AI, directing Mackay and Seydoux, and more. The Beast is in theaters now, and Bonello’s previous feature, Coma, will have its first U.S. theatrical run on May 17. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
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continue reading
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continue reading
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continue reading
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