In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez Mike Snoonian. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Mike Snoonian lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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))
BLADE (part 2)
Manage episode 421686236 series 2862646
Treść dostarczona przez Mike Snoonian. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Mike Snoonian lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
We're back with the second half of our talk about 1998's BLADE. Jay Kreiger from the Genre Haze podcast is back with Mike and Devaughn to talk all things Daywalker. We talk about why Wesley Snipes was such an inspired choice to play the character and how he made it his own. On the other hand, the hero is only as good as the villain they go up against, and Stephen Dorff absolutely eats as Blade's adversary Deacon Frost. Wouldn't it have been great to keep Deacon around for a some sequels and buck the comic book movie trend of killing of the bad guy? Plus, we talk the Blade/Whistler chemistry, and how this hints at where actions movies will go in just a year when The Matrix hits the screen and goes even further with blending genres. It's time for some superheroics, so strap on your shades and best black trench coat, because it's all about BLADE.
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267 odcinków
Udostępnij
Manage episode 421686236 series 2862646
Treść dostarczona przez Mike Snoonian. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Mike Snoonian lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
We're back with the second half of our talk about 1998's BLADE. Jay Kreiger from the Genre Haze podcast is back with Mike and Devaughn to talk all things Daywalker. We talk about why Wesley Snipes was such an inspired choice to play the character and how he made it his own. On the other hand, the hero is only as good as the villain they go up against, and Stephen Dorff absolutely eats as Blade's adversary Deacon Frost. Wouldn't it have been great to keep Deacon around for a some sequels and buck the comic book movie trend of killing of the bad guy? Plus, we talk the Blade/Whistler chemistry, and how this hints at where actions movies will go in just a year when The Matrix hits the screen and goes even further with blending genres. It's time for some superheroics, so strap on your shades and best black trench coat, because it's all about BLADE.
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continue reading
267 odcinków
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Podobny do The Pod and the Pendulum
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
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Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
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continue reading
Are you afraid to be alone with your own thoughts? Would you rather hear stories and conversations from three idiots stumbling through womanhood? Well, you’re in the right place! From the minds and mouths of Keltie Knight, Jac Vanek, and Becca Tobin, the LADYGANG podcast intends to make women feel less alone. Each week the ladies welcome celebrity guests, experts, or chat amongst themselves about all things lady.
…
continue reading
DumTeeDum is a weekly podcast about The Archers featuring fans of Ambridge. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
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Our fifth season is Decoding John Ford, a seven-episode series about cinema's most mysterious auteur. Using scores of never-before-heard archival interviews, host Ben Mankiewicz strips back John Ford's self-spun mythology to reveal his brilliance behind the camera – alongside the often ugly, uncomfortable truths about his life and movies, asking whether we can ever truly separate art from the artist. Decoding John Ford starts June 6.
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