In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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169 | Oscar Winner Tom McCarthy (Spotlight, Alaska Daily) On Writing For & Working With Actors
Manage episode 389428920 series 2856508
Treść dostarczona przez Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Having begun his career as an actor, and then transitioned to an Oscar-winning writer/director, Tom has worn MANY hats in this business. Because of that, he has a particularly unique point of view when it comes to writing. Today, Tom discusses how he embraces his multiple creative identities when approaching the blank page, especially he considers drafts that are going to producers, the studio, or actors.
JOIN OUR PATREON: www.patreon.com/thescreenwritinglife
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Manage episode 389428920 series 2856508
Treść dostarczona przez Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Having begun his career as an actor, and then transitioned to an Oscar-winning writer/director, Tom has worn MANY hats in this business. Because of that, he has a particularly unique point of view when it comes to writing. Today, Tom discusses how he embraces his multiple creative identities when approaching the blank page, especially he considers drafts that are going to producers, the studio, or actors.
JOIN OUR PATREON: www.patreon.com/thescreenwritinglife
215 odcinków
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continue reading
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continue reading
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continue reading
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continue reading
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…
continue reading
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Przejdź do trybu offline z Player FM !
