In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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182 | What Goes Into Creating an Oscar-nominated Animated Short?: WAR IS OVER Chat, Part 1
Manage episode 405179185 series 2856508
Treść dostarczona przez Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
This year, one of the most talked about Animated Shorts at this year's Oscars is WAR IS OVER. The project, inspired by the Music of John and Yoko, is an 11-minute animated short featuring the 50-year-old classic song Happy Xmas (War Is Over), set against the backdrop of WWI.
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This is part ONE of our two part conversation with the brilliant trio, so make sure you tune into part two tomorrow!
JOIN OUR PATREON: www.patreon.com/thescreenwritinglife
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Manage episode 405179185 series 2856508
Treść dostarczona przez Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
This year, one of the most talked about Animated Shorts at this year's Oscars is WAR IS OVER. The project, inspired by the Music of John and Yoko, is an 11-minute animated short featuring the 50-year-old classic song Happy Xmas (War Is Over), set against the backdrop of WWI.
Today, we welcome three of the shorts' brilliant creators: Pixar alum and Oscar®-nominee Dave Mullins, Golden Globe®-Nominee Brad Booker, and co-writer Sean Ono Lennon who executives produces alongside his mom, Yoko Ono.
This is part ONE of our two part conversation with the brilliant trio, so make sure you tune into part two tomorrow!
JOIN OUR PATREON: www.patreon.com/thescreenwritinglife
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Podobny do The Screenwriting Life with Meg LeFauve and Lorien McKenna
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
The Ringer’s Mallory Rubin and Jason Concepcion return to take their signature deep dives into the Marvel Cinematic Universe, covering all 23 films!
…
continue reading
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