In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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218 | Lessons In Chemistry, The Office, and Jury Duty: Lee Eisenberg's Multi-Genre Screenwriting Career
Manage episode 445627140 series 2856508
Treść dostarczona przez Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
JOIN TSL WORKSHOPS: https://tslworkshops.circle.so
How does a TV writer go from working on a classic sitcom (The Office), to a deeply-felt immigrant dramedy (Little America), to creating a hidden camera show (Jury Duty), and most recently, creating an Emmy-nominated female-driven workplace drama (Lessons in Chemistry)? Hard work. Despite his mega-career, Lee Eisenberg doesn't believe he is in the upper echelon of Hollywood's most talented writers, but he does believe he outworks almost anyone else in town. Tune in to find out how you can, too.
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Manage episode 445627140 series 2856508
Treść dostarczona przez Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
JOIN TSL WORKSHOPS: https://tslworkshops.circle.so
How does a TV writer go from working on a classic sitcom (The Office), to a deeply-felt immigrant dramedy (Little America), to creating a hidden camera show (Jury Duty), and most recently, creating an Emmy-nominated female-driven workplace drama (Lessons in Chemistry)? Hard work. Despite his mega-career, Lee Eisenberg doesn't believe he is in the upper echelon of Hollywood's most talented writers, but he does believe he outworks almost anyone else in town. Tune in to find out how you can, too.
233 odcinków
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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If you're like Matt Gourley (Superego, Drunk History, Conan O'Brien Needs A Friend), then you know all the classic movie and television scenes so well it's like you were in the room when they happened. Well, you weren't. And neither was he. But the people Matt interviews were! Listen in as they tell the inside stories of how cinema and television history was made from a fly-on-the-wall perspective you've never heard. Hosted on Acast. See acast.com/privacy for more information.
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