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Treść dostarczona przez Z. Lupetin. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Z. Lupetin lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Rayland Baxter Returns

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Manage episode 354265519 series 2574100
Treść dostarczona przez Z. Lupetin. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Z. Lupetin lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

This week, we place a call to a Tennessee front porch to talk to rock-n’-soul trickster and acclaimed singer-songwriter Rayland Baxter.

He’s our first returning artist on the show for a good reason. Besides being a personal favorite of host Z. Lupetin since his gorgeous, folky debut Feathers and Fishhooks a decade ago, Z. was first able to catch up with Rayland in a Vegas hotel room (where he played through a cigarette pack mini amp) to discuss his deliciously catchy and soulful 2018 record Wide Awake and how growing up around his side-man legend dad Bucky Baxter (pedal steel and guitars for Bob Dylan’s touring band, and countless others) inspired him to make his own playful visions real and to always follow his ear.

But while Wide Awake felt accessible as a funky aural high five, his 2022 offering If I Were A Butterfly is a more challenging, experimental work - think Jackson Pollock filmed through a Super 8 camera after a mushroom trip. He uses archival audio going back to his childhood, sings about goats, demons and his forever yearning to find a love that loves him back in a way that doesn’t seem transactional. The result is a fractured but intimately moving portrait.

I’ll admit, it took a few listens to warm to Butterfly, but after our latest talk, we can see how the ever-upbeat Baxter was processing some pretty heavy adult stuff on this record - most notably losing his dad and two of his most trusted recording partners to sudden ends. He hence did much of the producing himself, laying down the record in an abandoned rubber band factory. “Graffiti Street” shows Baxter at the height of his unique game, writing signature effortless rootsy-rock hooks with a new sense of gravity that never holds the butterfly within him down.


Support this podcast at — https://redcircle.com/the-show-on-the-road-with-z-lupetin1106/donations
Advertising Inquiries: https://redcircle.com/brands
Privacy & Opt-Out: https://redcircle.com/privacy
  continue reading

164 odcinków

Artwork
iconUdostępnij
 
Manage episode 354265519 series 2574100
Treść dostarczona przez Z. Lupetin. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Z. Lupetin lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

This week, we place a call to a Tennessee front porch to talk to rock-n’-soul trickster and acclaimed singer-songwriter Rayland Baxter.

He’s our first returning artist on the show for a good reason. Besides being a personal favorite of host Z. Lupetin since his gorgeous, folky debut Feathers and Fishhooks a decade ago, Z. was first able to catch up with Rayland in a Vegas hotel room (where he played through a cigarette pack mini amp) to discuss his deliciously catchy and soulful 2018 record Wide Awake and how growing up around his side-man legend dad Bucky Baxter (pedal steel and guitars for Bob Dylan’s touring band, and countless others) inspired him to make his own playful visions real and to always follow his ear.

But while Wide Awake felt accessible as a funky aural high five, his 2022 offering If I Were A Butterfly is a more challenging, experimental work - think Jackson Pollock filmed through a Super 8 camera after a mushroom trip. He uses archival audio going back to his childhood, sings about goats, demons and his forever yearning to find a love that loves him back in a way that doesn’t seem transactional. The result is a fractured but intimately moving portrait.

I’ll admit, it took a few listens to warm to Butterfly, but after our latest talk, we can see how the ever-upbeat Baxter was processing some pretty heavy adult stuff on this record - most notably losing his dad and two of his most trusted recording partners to sudden ends. He hence did much of the producing himself, laying down the record in an abandoned rubber band factory. “Graffiti Street” shows Baxter at the height of his unique game, writing signature effortless rootsy-rock hooks with a new sense of gravity that never holds the butterfly within him down.


Support this podcast at — https://redcircle.com/the-show-on-the-road-with-z-lupetin1106/donations
Advertising Inquiries: https://redcircle.com/brands
Privacy & Opt-Out: https://redcircle.com/privacy
  continue reading

164 odcinków

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