In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez Andy Compton. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Andy Compton lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Writing AND Acting with Rebecca Louise Miller - Screenwriter, Actress (ONE DAY HOME/Winner at 2021 Austin Film Festival)
Manage episode 329634531 series 3347582
Treść dostarczona przez Andy Compton. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Andy Compton lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Hey there, everybody! Today on the show, I'm talking to Brooklyn-based screenwriter and actress, Rebecca Louise Miller. A former playwright, Rebecca made the transition to writing for the screen and has since wrote and starred in the short film, ONE DAY HOME, published on the popular YouTube channel, Omeleto, in addition to winning the Rooster Teeth Women in Animation Fellowship at the 2021 Austin Film Festival! Give this episode a listen, like, follow, subscribe, say something nice on Twitter/Instagram and remember to tag us, @SocialWriterPod! If you'd like to support us with a donation, you can now do so by going to our Linktree in the bio of our Twitter or Instagram and click the Donate button. Anything helps! Thanks so much for the support, y'all. -Andy
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Manage episode 329634531 series 3347582
Treść dostarczona przez Andy Compton. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Andy Compton lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Hey there, everybody! Today on the show, I'm talking to Brooklyn-based screenwriter and actress, Rebecca Louise Miller. A former playwright, Rebecca made the transition to writing for the screen and has since wrote and starred in the short film, ONE DAY HOME, published on the popular YouTube channel, Omeleto, in addition to winning the Rooster Teeth Women in Animation Fellowship at the 2021 Austin Film Festival! Give this episode a listen, like, follow, subscribe, say something nice on Twitter/Instagram and remember to tag us, @SocialWriterPod! If you'd like to support us with a donation, you can now do so by going to our Linktree in the bio of our Twitter or Instagram and click the Donate button. Anything helps! Thanks so much for the support, y'all. -Andy
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Podobny do The Social Screenwriters Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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…
continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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…
continue reading
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continue reading
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…
continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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Player FM - aplikacja do podcastów
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Przejdź do trybu offline z Player FM !
