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Re-Situating Sound

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Manage episode 332081457 series 2646403
Treść dostarczona przez SpokenWeb. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez SpokenWeb lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

SUMMARY

In the making of ShortCuts, series producer Katherine McLeod often talks about how recorded sound is held not only within archives but also by the work of contextualizing whenever one selects an archival audio clip and presses play. Returning to an audio recording of Dionne Brand played in ShortCuts 2.9 “Situating Sound” (June 2021), Katherine reminds us that the process of unarchiving sound is an embodied one. We listen as bodies to the archive. Moreover, how we choose to contextualize sound impacts any listening to it, and written transcripts too frame our understanding of the audio content. Building upon the most recent episode of The SpokenWeb, “Talking Transcription: Accessibility, Collaboration, and Creativity,” this episode of ShortCuts explores the transcript as another version of holding the sound, while, at the same time, invites a listening to that which exceeds that holding.

“...even those that do not hold a wind’s impression”
- Dionne Brand from Primitive Offensive

EPISODE NOTES

A fresh take on sounds from the past, ShortCuts is a monthly feature on The SpokenWeb Podcast feed and an extension of the ShortCuts blog posts on SPOKENWEBLOG. Stay tuned for monthly episodes of ShortCuts on alternate fortnights (that’s every second week) following the monthly SpokenWeb podcast episode.

Series Producer: Katherine McLeod

Host: Hannah McGregor

Supervising Producer: Kate Moffatt

Audio Engineer / Sound Designer: Miranda Eastwood

ARCHIVAL AUDIO

Archival audio excerpted in this episode is from “radiofreerainforest 3 & 28 July and 7 August, 1988” held in Gerry Gilbert radiofreerainforest Collection: SFU Digitized Collections, https://digital.lib.sfu.ca/radiofreerainforest-357/radiofreerainforest-3-28-july-and-7-august-1988.

Sound effect is “Automatic tapedeck rewind, fastforward, play” (stecman) Free Sound. 6 January 2017. https://freesound.org/s/376058/.

RESOURCES

Brand, Dionne. Chronicles: Early Works. Wilfrid Laurier University Press, 2011.

“Gerry Gilbert radiofreerainforest Collection.” SFU Digitized Collections, https://digital.lib.sfu.ca/gerry-gilbert-radiofreerainforest-collection.

Kinesis. Periodicals. Vancouver : Vancouver Status of Women, 1 Sept. 1988. https://open.library.ubc.ca/collections/kinesis/items/1.0045699.

Our Lives. Toronto: Black Women’s Collective. Volume 2 5.6 (Summer/Fall 1988), https://riseupfeministarchive.ca/publications/our-lives-canadas-first-black-womens-newspaper/ourlives-02-0506-summer-fall-1988/.

“radiofreerainforest 3 & 28 July and 7 August, 1988.” Gerry Gilbert radiofreerainforest Collection: SFU Digitized Collections, https://digital.lib.sfu.ca/radiofreerainforest-357/radiofreerainforest-3-28-july-and-7-august-1988.

“radiofreerainforest 7, 25 August, 1988 and 30 October, 1988.” Gerry Gilbert radiofreerainforest Collection: SFU Digitized Collections, https://digital.lib.sfu.ca/radiofreerainforest-90/radiofreerainforest-7-25-august-1988-and-30-october-1988.

“ShortCuts 2.9: Situating Sound.” Produced by Katherine McLeod. The SpokenWeb Podcast. 21 June 2021. https://spokenweb.ca/podcast/episodes/situating-sound/.

“Talking Transcription: Accessibility, Collaboration, and Creativity.” Produced by Kelly Cubbon and Katherine McLeod. The SpokenWeb Podcast. 6 June 2022. https://spokenweb.ca/podcast/episodes/talking-transcription-accessibility-collaboration-and-creativity/.

  continue reading

98 odcinków

Artwork
iconUdostępnij
 
Manage episode 332081457 series 2646403
Treść dostarczona przez SpokenWeb. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez SpokenWeb lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

SUMMARY

In the making of ShortCuts, series producer Katherine McLeod often talks about how recorded sound is held not only within archives but also by the work of contextualizing whenever one selects an archival audio clip and presses play. Returning to an audio recording of Dionne Brand played in ShortCuts 2.9 “Situating Sound” (June 2021), Katherine reminds us that the process of unarchiving sound is an embodied one. We listen as bodies to the archive. Moreover, how we choose to contextualize sound impacts any listening to it, and written transcripts too frame our understanding of the audio content. Building upon the most recent episode of The SpokenWeb, “Talking Transcription: Accessibility, Collaboration, and Creativity,” this episode of ShortCuts explores the transcript as another version of holding the sound, while, at the same time, invites a listening to that which exceeds that holding.

“...even those that do not hold a wind’s impression”
- Dionne Brand from Primitive Offensive

EPISODE NOTES

A fresh take on sounds from the past, ShortCuts is a monthly feature on The SpokenWeb Podcast feed and an extension of the ShortCuts blog posts on SPOKENWEBLOG. Stay tuned for monthly episodes of ShortCuts on alternate fortnights (that’s every second week) following the monthly SpokenWeb podcast episode.

Series Producer: Katherine McLeod

Host: Hannah McGregor

Supervising Producer: Kate Moffatt

Audio Engineer / Sound Designer: Miranda Eastwood

ARCHIVAL AUDIO

Archival audio excerpted in this episode is from “radiofreerainforest 3 & 28 July and 7 August, 1988” held in Gerry Gilbert radiofreerainforest Collection: SFU Digitized Collections, https://digital.lib.sfu.ca/radiofreerainforest-357/radiofreerainforest-3-28-july-and-7-august-1988.

Sound effect is “Automatic tapedeck rewind, fastforward, play” (stecman) Free Sound. 6 January 2017. https://freesound.org/s/376058/.

RESOURCES

Brand, Dionne. Chronicles: Early Works. Wilfrid Laurier University Press, 2011.

“Gerry Gilbert radiofreerainforest Collection.” SFU Digitized Collections, https://digital.lib.sfu.ca/gerry-gilbert-radiofreerainforest-collection.

Kinesis. Periodicals. Vancouver : Vancouver Status of Women, 1 Sept. 1988. https://open.library.ubc.ca/collections/kinesis/items/1.0045699.

Our Lives. Toronto: Black Women’s Collective. Volume 2 5.6 (Summer/Fall 1988), https://riseupfeministarchive.ca/publications/our-lives-canadas-first-black-womens-newspaper/ourlives-02-0506-summer-fall-1988/.

“radiofreerainforest 3 & 28 July and 7 August, 1988.” Gerry Gilbert radiofreerainforest Collection: SFU Digitized Collections, https://digital.lib.sfu.ca/radiofreerainforest-357/radiofreerainforest-3-28-july-and-7-august-1988.

“radiofreerainforest 7, 25 August, 1988 and 30 October, 1988.” Gerry Gilbert radiofreerainforest Collection: SFU Digitized Collections, https://digital.lib.sfu.ca/radiofreerainforest-90/radiofreerainforest-7-25-august-1988-and-30-october-1988.

“ShortCuts 2.9: Situating Sound.” Produced by Katherine McLeod. The SpokenWeb Podcast. 21 June 2021. https://spokenweb.ca/podcast/episodes/situating-sound/.

“Talking Transcription: Accessibility, Collaboration, and Creativity.” Produced by Kelly Cubbon and Katherine McLeod. The SpokenWeb Podcast. 6 June 2022. https://spokenweb.ca/podcast/episodes/talking-transcription-accessibility-collaboration-and-creativity/.

  continue reading

98 odcinków

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