In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep. 108: ODOR IN THE COURT
Manage episode 356045698 series 2529144
Treść dostarczona przez The Suspense is Killing Us. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Suspense is Killing Us lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Manage episode 356045698 series 2529144
Treść dostarczona przez The Suspense is Killing Us. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Suspense is Killing Us lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
We hope there are no OBJECTIONS to us discussing three movies about the law and courts and judges and such. But if you don't like it, SUE us! Okay, that's all the law words we know. RUNAWAY JURY (2003, Gary Fleder) BEYOND A REASONABLE DOUBT (2009, Peter Hyams) THE LINCOLN LAWYER (2011, Bret Furman)
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