In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode 24. John Gibbs, plus Douglas Pye on V.F. Perkins
Manage episode 287164197 series 2847526
Treść dostarczona przez The Video Essay Podcast. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Video Essay Podcast lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
On today's show, Will sits down with John Gibbs, Head of the School of Arts & Communication Design and Professor of Film at the University of Reading, to discuss style-based criticism, his videographic work, and more. They discuss John's video essay, "‘Say, have you seen the Carioca?’," published as part of the AHRC/FAPESP-funded project, "Intermldia: Towards an Intermedial History of Brazilian Cinema." John and Will also talk about Liz Greene's "The Elephant Man's Sound, Tracked" and "The Strange Streets of a Strange City: The Ambersons Montage" by Patrick Keating.
Douglas Pye also joins the show to discuss his new edited collection, V.F. Perkins on Movies: Collected Shorter Film Criticism, from Wayne State University Press. Doug and Will discuss the work of Perkins, how it relates to videographic criticism, and more.
Music: Sonata No. 05 in C Minor, Op. 10 No. 1 - I. Allegro molto e con brio by Daniel Veesey is licensed under a Public Domain License | Brain Power by Mela is licensed under a Attribution-ShareAlike License. | Via FreeMusicArchive
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Manage episode 287164197 series 2847526
Treść dostarczona przez The Video Essay Podcast. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Video Essay Podcast lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
On today's show, Will sits down with John Gibbs, Head of the School of Arts & Communication Design and Professor of Film at the University of Reading, to discuss style-based criticism, his videographic work, and more. They discuss John's video essay, "‘Say, have you seen the Carioca?’," published as part of the AHRC/FAPESP-funded project, "Intermldia: Towards an Intermedial History of Brazilian Cinema." John and Will also talk about Liz Greene's "The Elephant Man's Sound, Tracked" and "The Strange Streets of a Strange City: The Ambersons Montage" by Patrick Keating.
Douglas Pye also joins the show to discuss his new edited collection, V.F. Perkins on Movies: Collected Shorter Film Criticism, from Wayne State University Press. Doug and Will discuss the work of Perkins, how it relates to videographic criticism, and more.
Music: Sonata No. 05 in C Minor, Op. 10 No. 1 - I. Allegro molto e con brio by Daniel Veesey is licensed under a Public Domain License | Brain Power by Mela is licensed under a Attribution-ShareAlike License. | Via FreeMusicArchive
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Podobny do The Video Essay Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
…
continue reading
Are you afraid to be alone with your own thoughts? Would you rather hear stories and conversations from three idiots stumbling through womanhood? Well, you’re in the right place! From the minds and mouths of Keltie Knight, Jac Vanek, and Becca Tobin, the LADYGANG podcast intends to make women feel less alone. Each week the ladies welcome celebrity guests, experts, or chat amongst themselves about all things lady.
…
continue reading
The Ringer’s Mallory Rubin and Jason Concepcion return to take their signature deep dives into the Marvel Cinematic Universe, covering all 23 films!
…
continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
…
continue reading
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continue reading
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…
continue reading
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