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Treść dostarczona przez Nate Goyer, Record Collector, Music Fan, and Vinyl Maniac. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Nate Goyer, Record Collector, Music Fan, and Vinyl Maniac lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Ep439: Jack Douglas - Producer Part 1

1:09:55
 
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Manage episode 404556548 series 1554544
Treść dostarczona przez Nate Goyer, Record Collector, Music Fan, and Vinyl Maniac. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Nate Goyer, Record Collector, Music Fan, and Vinyl Maniac lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Jack Douglas has worked with hundreds of artists including Aerosmith, Cheap Trick, The Who, Alice Cooper and produced John Lennon & Yoko Ono's "Double Fantasy". Today Jack shares stories and memories of those artists as well as his recent production of Silverplanes' "Airbus" album.

  • Starting up w Jack
  • Getting involved in Silverplanes
  • Geoff Emerick’s final album mix
  • Silverplanes “Airbus” LP held back for 5 years
  • New record labels – Make Records and Confidential Records
  • Jack’s production involvement with Silverplanes
  • Jack’s early career – working with The Who on “Who’s Next”
  • How Jack works with eccentric creative people
  • Getting the best performance from creative people
  • John Lennon was the easiest creative person Jack worked with
  • Recollections of the “Fame” session with John Lennon and David Bowie
  • John’s reaction to the Aerosmith cover of “Come Together”
  • Working with George Martin in London
  • Working on “Grow Old With Me” with Ringo
  • The John Lennon demo tapes for Double Fantasy
  • What was John hoping to accomplish with Double Fantasy
  • Cheap Trick was originally considered as the backup band for John Lennon
  • Earl Slick was the wildcard of the “Double Fantasy” sessions
  • The end segment and dreamscape on “Watching the Wheels”
  • John tells Jack why he selected him to produce “Double Fantasy”
  • Ensuring Yoko’s tracks were more commercially viable than past works
  • The secrecy around the “Double Fantasy” sessions
  • What was John’s record collection like in The Dakota?
  • John listened to rap, reggae and was curious about punk
  • The New York Dolls recording sessions
  • Connecting up with Aerosmith
  • John was aware of Aerosmith
  • The recording of “Double Fantasy”
  • Making Quadraphonic mixes of Aerosmith and other artists
  • Sequencing records for the constraints of vinyl
  • John’s final session was the final mix of “Walking on Thin Ice”

Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide

Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

  continue reading

461 odcinków

Artwork
iconUdostępnij
 
Manage episode 404556548 series 1554544
Treść dostarczona przez Nate Goyer, Record Collector, Music Fan, and Vinyl Maniac. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Nate Goyer, Record Collector, Music Fan, and Vinyl Maniac lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Jack Douglas has worked with hundreds of artists including Aerosmith, Cheap Trick, The Who, Alice Cooper and produced John Lennon & Yoko Ono's "Double Fantasy". Today Jack shares stories and memories of those artists as well as his recent production of Silverplanes' "Airbus" album.

  • Starting up w Jack
  • Getting involved in Silverplanes
  • Geoff Emerick’s final album mix
  • Silverplanes “Airbus” LP held back for 5 years
  • New record labels – Make Records and Confidential Records
  • Jack’s production involvement with Silverplanes
  • Jack’s early career – working with The Who on “Who’s Next”
  • How Jack works with eccentric creative people
  • Getting the best performance from creative people
  • John Lennon was the easiest creative person Jack worked with
  • Recollections of the “Fame” session with John Lennon and David Bowie
  • John’s reaction to the Aerosmith cover of “Come Together”
  • Working with George Martin in London
  • Working on “Grow Old With Me” with Ringo
  • The John Lennon demo tapes for Double Fantasy
  • What was John hoping to accomplish with Double Fantasy
  • Cheap Trick was originally considered as the backup band for John Lennon
  • Earl Slick was the wildcard of the “Double Fantasy” sessions
  • The end segment and dreamscape on “Watching the Wheels”
  • John tells Jack why he selected him to produce “Double Fantasy”
  • Ensuring Yoko’s tracks were more commercially viable than past works
  • The secrecy around the “Double Fantasy” sessions
  • What was John’s record collection like in The Dakota?
  • John listened to rap, reggae and was curious about punk
  • The New York Dolls recording sessions
  • Connecting up with Aerosmith
  • John was aware of Aerosmith
  • The recording of “Double Fantasy”
  • Making Quadraphonic mixes of Aerosmith and other artists
  • Sequencing records for the constraints of vinyl
  • John’s final session was the final mix of “Walking on Thin Ice”

Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide

Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

  continue reading

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