In For Scores, host Jon Burlingame takes listeners on a magical journey into the world of film and television composers, revealing never-before-heard special moments behind many of today's most beloved scores. This season, you'll hear personal stories from the composers of Marvel Studios Avengers and Pixar's Toy Story films, Captain Marvel, Coco, Ralph Breaks the Internet, and so much more!
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Podcast #133 - Ekin [TUR]
MP3•Źródło odcinka
Manage episode 300953250 series 2405126
Treść dostarczona przez Virtual Underground. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Virtual Underground lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Interview : Virtual Underground: How has this all started for you? Ekin: My first experience with music started when I discovered my sister’s old cassette player. She was listening to Limp Bizkit. I remember my first song was to Take a look around. Then I discovered other types of metal and started playing bass guitar. I was never into fancy solos. I always liked the idea of being the supporting pillar of the band and improved myself in every genre in bass. Even admitted to Berklee for a 5 week bass performance program. Before pandemic I was playing regularly with my band in a local metal bar called Dorock. Being the youngest member of the band and my tendency to use distortion earned me my nickname Basstard. Then in Berlin, Berghain to be precise, I was drawn to the vast world of techno and the limitless possibilities of sound design. That's when I started experimenting with my first controller. Virtual Underground: Where do you generally draw your inspiration from? Ekin: Music is how I express myself. I always felt myself full of emotions that I don't know how to let out. I had a turbulent childhood and preferred music over people. I was very good with maths and physics and could see the pattern in a song effortlessly unlike relationships. They were very complicated for me and emotions were like randomized functions that ruined every equation in my head. In my sets and compositions I try to reflect my way of seeing the world and how it's cynical, confusing and dark. Virtual Underground: Could you describe your music selection and mixing process? Ekin: I like the productions from the 2000s and 1990s. I work as an electronics engineer and while working I dive in the vast archives and select the tunes that intrigues me. I list them according to bpm and key. In this set I acted extra ruthless and selected some hard hitting tracks from C mantle, Headless horseman and Martyn Hare and tried to build a dystopian and intimidating atmosphere. Virtual Underground: Which software/hardware did you use for this set? Ekin: I used Traktor Pro 2 software and Traktor S5 controller. Virtual Underground: Could you tell us more about snatchers? Ekin: Snatchers is our İstanbul based imprint/label/collective for electronic music and more sound disciplines. It is a place for young musicians to grow and share their works founded by @omeerata. It is a non-profit organization as we say in snatchers we are in it for the music :) Virtual Underground: Any next plans? Ekin:I started learning Ableton and hopefully I will release my own tracks soon. Also I started digging records from 1990s and my ultimate goal is to expand my musical arsenal :) Follow and support Ekin @ingeniousbasstard
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continue reading
138 odcinków
MP3•Źródło odcinka
Manage episode 300953250 series 2405126
Treść dostarczona przez Virtual Underground. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Virtual Underground lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Interview : Virtual Underground: How has this all started for you? Ekin: My first experience with music started when I discovered my sister’s old cassette player. She was listening to Limp Bizkit. I remember my first song was to Take a look around. Then I discovered other types of metal and started playing bass guitar. I was never into fancy solos. I always liked the idea of being the supporting pillar of the band and improved myself in every genre in bass. Even admitted to Berklee for a 5 week bass performance program. Before pandemic I was playing regularly with my band in a local metal bar called Dorock. Being the youngest member of the band and my tendency to use distortion earned me my nickname Basstard. Then in Berlin, Berghain to be precise, I was drawn to the vast world of techno and the limitless possibilities of sound design. That's when I started experimenting with my first controller. Virtual Underground: Where do you generally draw your inspiration from? Ekin: Music is how I express myself. I always felt myself full of emotions that I don't know how to let out. I had a turbulent childhood and preferred music over people. I was very good with maths and physics and could see the pattern in a song effortlessly unlike relationships. They were very complicated for me and emotions were like randomized functions that ruined every equation in my head. In my sets and compositions I try to reflect my way of seeing the world and how it's cynical, confusing and dark. Virtual Underground: Could you describe your music selection and mixing process? Ekin: I like the productions from the 2000s and 1990s. I work as an electronics engineer and while working I dive in the vast archives and select the tunes that intrigues me. I list them according to bpm and key. In this set I acted extra ruthless and selected some hard hitting tracks from C mantle, Headless horseman and Martyn Hare and tried to build a dystopian and intimidating atmosphere. Virtual Underground: Which software/hardware did you use for this set? Ekin: I used Traktor Pro 2 software and Traktor S5 controller. Virtual Underground: Could you tell us more about snatchers? Ekin: Snatchers is our İstanbul based imprint/label/collective for electronic music and more sound disciplines. It is a place for young musicians to grow and share their works founded by @omeerata. It is a non-profit organization as we say in snatchers we are in it for the music :) Virtual Underground: Any next plans? Ekin:I started learning Ableton and hopefully I will release my own tracks soon. Also I started digging records from 1990s and my ultimate goal is to expand my musical arsenal :) Follow and support Ekin @ingeniousbasstard
…
continue reading
138 odcinków
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