Artwork

Treść dostarczona przez Stephanie Drawdy. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Stephanie Drawdy lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Art Crime & ARCA: Dr. Noah Charney About Art History, Art Recovery and Art Crime Education

43:04
 
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Manage episode 307087198 series 2822132
Treść dostarczona przez Stephanie Drawdy. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Stephanie Drawdy lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

To learn more, please visit ARCA's website.

SHOW NOTES:

03:00 Dr. Charney’s interest in being a playwright led to foundation of Association for Research into Crimes against Art (ARCA)

05:00 Charney’s first book

05:30 first conference to bring academics and art police together

06:30 criminalistics applied in Slovenia - a balanced policing system that merges the theories of criminology and practice of criminal investigation, forensics & police procedure

11:00 ARCA’s summer conference on art crime in central Italy

14:00 Italy’s Carabinieri Art Squad

17:50 ARCA’s CEO Linda Albertson

18:30 Albertson’s blog post about return of objects to Cambodia by Doug Latchford’s Estate

19:00 ARCA’s blog

21:30 recommendations to those who want to return looted art or cultural heritage objects

24:00 Missing Masterpieces exhibition

25:35 thief of Van Gogh’s Parsonage arrested though painting is still missing

25:50 tip on whereabouts of Jean-Baptiste Oudry’s The White Duck

26:20 panel of Ghent Altarpiece stolen in 1934 is still missing and is an ongoing open case in Ghent, Belgium

27:45 a work is ‘extant’ if its location is known

28:25 Justice Cycle panels by Rogier van der Weyden referenced in Charney’s Museum of Lost Art

29:00 The Deposition in the Prado in Madrid is now considered van der Weyden’s masterpiece

29:10 van der Weyden considered The Justice of Trajan and Herkinbald from the Justice cycle to be his masterpiece

29:45 the Justice cycle destroyed in a fire circa early 17th C.

29:55 survivor bias - 2018 book The Museum of Lost Art

31:10 The Devil in the Gallery: How Scandal, Shock, and Rivalry Made the Art World? also has a negative space approach

31:55 2017 book The Collector of Lives focuses on the life of Giorgio Vasari

33:00 rivalry of artists in Caravaggio’s 1599 The Calling of St. Matthew - artist used a duplicate of Sistine Chapel Ceiling’s hand of God by Michelangelo to paint hand of Jesus

34:15 Charney’s online discussion of Caravaggio’s 1599 The Calling of St. Matthew

34:50 Book of Drawings, twelve folios by Giorgio Vasari

36:05 Vinci’s Battle of Angiati; Vasari’s use of false walls to preserve works he valued like da Vinci’s Battle of Angiati

37:15 third work would be the Justice Cycle

37:30 Charney’s preference for work in situ

39:00 Vasari’s use of false walls to cover paintings

39:50 Vasari’s false wall in front of da Vinci’s Battle

40:50 Charney’s recommendations of books published by ARCA

41:10 Context Matters: Collating the Past by David W.J. Gill - essays on antiquities, looting and archaeology

41:20 Transnational Art Crime by ARCA academic director Edgar Telehouse

41:45 The Secret Collector: the Lost Art Collection of Erich Šlomovič by Leon Pogelick and Slavko Pregl

42:45 Charney’s The Art Thief’s Handbook

Please share your comments and/or questions at stephanie@warfareofartandlaw.com
To hear more episodes, please visit Warfare of Art and Law podcast's website.
Music by Toulme.
To view rewards for supporting the podcast, please visit Warfare's Patreon page.
To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.
Thanks so much for listening!
© Stephanie Drawdy [2024]

  continue reading

132 odcinków

Artwork
iconUdostępnij
 
Manage episode 307087198 series 2822132
Treść dostarczona przez Stephanie Drawdy. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Stephanie Drawdy lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

To learn more, please visit ARCA's website.

SHOW NOTES:

03:00 Dr. Charney’s interest in being a playwright led to foundation of Association for Research into Crimes against Art (ARCA)

05:00 Charney’s first book

05:30 first conference to bring academics and art police together

06:30 criminalistics applied in Slovenia - a balanced policing system that merges the theories of criminology and practice of criminal investigation, forensics & police procedure

11:00 ARCA’s summer conference on art crime in central Italy

14:00 Italy’s Carabinieri Art Squad

17:50 ARCA’s CEO Linda Albertson

18:30 Albertson’s blog post about return of objects to Cambodia by Doug Latchford’s Estate

19:00 ARCA’s blog

21:30 recommendations to those who want to return looted art or cultural heritage objects

24:00 Missing Masterpieces exhibition

25:35 thief of Van Gogh’s Parsonage arrested though painting is still missing

25:50 tip on whereabouts of Jean-Baptiste Oudry’s The White Duck

26:20 panel of Ghent Altarpiece stolen in 1934 is still missing and is an ongoing open case in Ghent, Belgium

27:45 a work is ‘extant’ if its location is known

28:25 Justice Cycle panels by Rogier van der Weyden referenced in Charney’s Museum of Lost Art

29:00 The Deposition in the Prado in Madrid is now considered van der Weyden’s masterpiece

29:10 van der Weyden considered The Justice of Trajan and Herkinbald from the Justice cycle to be his masterpiece

29:45 the Justice cycle destroyed in a fire circa early 17th C.

29:55 survivor bias - 2018 book The Museum of Lost Art

31:10 The Devil in the Gallery: How Scandal, Shock, and Rivalry Made the Art World? also has a negative space approach

31:55 2017 book The Collector of Lives focuses on the life of Giorgio Vasari

33:00 rivalry of artists in Caravaggio’s 1599 The Calling of St. Matthew - artist used a duplicate of Sistine Chapel Ceiling’s hand of God by Michelangelo to paint hand of Jesus

34:15 Charney’s online discussion of Caravaggio’s 1599 The Calling of St. Matthew

34:50 Book of Drawings, twelve folios by Giorgio Vasari

36:05 Vinci’s Battle of Angiati; Vasari’s use of false walls to preserve works he valued like da Vinci’s Battle of Angiati

37:15 third work would be the Justice Cycle

37:30 Charney’s preference for work in situ

39:00 Vasari’s use of false walls to cover paintings

39:50 Vasari’s false wall in front of da Vinci’s Battle

40:50 Charney’s recommendations of books published by ARCA

41:10 Context Matters: Collating the Past by David W.J. Gill - essays on antiquities, looting and archaeology

41:20 Transnational Art Crime by ARCA academic director Edgar Telehouse

41:45 The Secret Collector: the Lost Art Collection of Erich Šlomovič by Leon Pogelick and Slavko Pregl

42:45 Charney’s The Art Thief’s Handbook

Please share your comments and/or questions at stephanie@warfareofartandlaw.com
To hear more episodes, please visit Warfare of Art and Law podcast's website.
Music by Toulme.
To view rewards for supporting the podcast, please visit Warfare's Patreon page.
To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.
Thanks so much for listening!
© Stephanie Drawdy [2024]

  continue reading

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